Did you read Joshua Kosman's prayerfully adoring review of last Wednesday's performance of the Cello Concerto No. 2 (Wednesday, Jan. 20th)? He is practically babbling. He loves the SF Symphony, he loves Michael Tilson Thomas, he worships Yo-Yo Ma utterly. It's so moving. And I really like his critical analysis--so many pretty words. I sit back and
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