Multifandom links
Multifandom:
51 TV Writers Reveal Their Favorite Scenes... to have written, and as I knew a considerable part of these, I realised again I watch a lot tv. Damon Lindelof cracks me up with his description of the “WE HAVE TO GO BAAAAAAAACK!” (yes, I added all those extra A’s in the script)" scene from Lost (though seriously, I can see why that particular scene and the concept change it meant felt so liberating to him at the tme). And all my "love for fannish underdogs" buttons are pushed by the fact that Jane Espenson chose not a scene from any of her Buffy episodes, not from BSG, not from Once upon a Time, but from Torchwood: Miracle Day, especially since what she picked was actually my favourite thing about MD (which I didn't love the way I did Children of Earth but thought wasn't the worst thing ever, either, better than season 1 had been actually, just a regression after the narrative height of CoE), a sequence involving Gwen and Jack. Here's The episode is called “Immortal Sins” and in it, Gwen is driving Jack Harkness to what they both are sure will be his death. It’s this fraught two-person road trip exchange that goes on for pages. From Gwen’s point of view, she’s choosing her child over Jack, whom she loves. For his part, Jack has always taken life lightly, but he suddenly finds himself a mortal creature and he shocks himself by how far he’d go to save his own life. I wrote draft after draft after draft and Russell T. Davies kept sending me back into the script to dig deeper. He knew there was more there, and wouldn’t let me stop until I’d found it. Since I adored that sequence (I'm weird like that), I'm thrilled to bits she chose it.
The Hunger Games:
The trailer for Mockingjay Part II is out. Since nowadays trailers manage to give away key twists, I was most impressed this one manages to avoid it. If you've read the book, you know what some of the scenes we get glimpses at actually are about, the context certain lines are said in, but the trailer accomplishes two major misdirections without actually lying at all. Kudos, trailer cutting people! Also, this one is going to leave me an emotional wreck. Oh, Katniss. Oh, everyone.
Awesome British Actors:
Stuff like this is why nobody needs to RPF Ian McKellen/Patrick Stewart; they're doing it all by themselves, thank you. :) (Oh, and re: the subject of Ian McKellen's latest movie, while I hadn't felt the need for yet another Sherlock Holmes in theory, I'm of course looking forward to watching Ian McKellen playing him in practice.)
This entry was originally posted at https://selenak.dreamwidth.org/1088800.html. Comment there or here, as you wish.
51 TV Writers Reveal Their Favorite Scenes... to have written, and as I knew a considerable part of these, I realised again I watch a lot tv. Damon Lindelof cracks me up with his description of the “WE HAVE TO GO BAAAAAAAACK!” (yes, I added all those extra A’s in the script)" scene from Lost (though seriously, I can see why that particular scene and the concept change it meant felt so liberating to him at the tme). And all my "love for fannish underdogs" buttons are pushed by the fact that Jane Espenson chose not a scene from any of her Buffy episodes, not from BSG, not from Once upon a Time, but from Torchwood: Miracle Day, especially since what she picked was actually my favourite thing about MD (which I didn't love the way I did Children of Earth but thought wasn't the worst thing ever, either, better than season 1 had been actually, just a regression after the narrative height of CoE), a sequence involving Gwen and Jack. Here's The episode is called “Immortal Sins” and in it, Gwen is driving Jack Harkness to what they both are sure will be his death. It’s this fraught two-person road trip exchange that goes on for pages. From Gwen’s point of view, she’s choosing her child over Jack, whom she loves. For his part, Jack has always taken life lightly, but he suddenly finds himself a mortal creature and he shocks himself by how far he’d go to save his own life. I wrote draft after draft after draft and Russell T. Davies kept sending me back into the script to dig deeper. He knew there was more there, and wouldn’t let me stop until I’d found it. Since I adored that sequence (I'm weird like that), I'm thrilled to bits she chose it.
The Hunger Games:
The trailer for Mockingjay Part II is out. Since nowadays trailers manage to give away key twists, I was most impressed this one manages to avoid it. If you've read the book, you know what some of the scenes we get glimpses at actually are about, the context certain lines are said in, but the trailer accomplishes two major misdirections without actually lying at all. Kudos, trailer cutting people! Also, this one is going to leave me an emotional wreck. Oh, Katniss. Oh, everyone.
Awesome British Actors:
Stuff like this is why nobody needs to RPF Ian McKellen/Patrick Stewart; they're doing it all by themselves, thank you. :) (Oh, and re: the subject of Ian McKellen's latest movie, while I hadn't felt the need for yet another Sherlock Holmes in theory, I'm of course looking forward to watching Ian McKellen playing him in practice.)
This entry was originally posted at https://selenak.dreamwidth.org/1088800.html. Comment there or here, as you wish.