Who: MULTIPLE THREADS! Expected: there are some plans. Unexpected: how would I know?
When: Right after
this-with flexibility. All sparked by
this after
this.
Where: The Clinic
Format: [hates choosing] Whatever I start with, do your own thing!
What: Tonks visitations. Lupin's return. Shirley in da house. Trepkos the Grouch. AND MORE.
Warnings: Ow ow
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Comments 129
He doesn't realise that he's striding up the broad, shallow steps with Moony's gait. Nor that his wand is still in his hand.
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when they are face to face, shirley standing on the highest step, she merely levels him with a calm but threatening expression. you will not disturb this sanctuary.]
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He stands fully upright now. From two steps below her, he can look directly into Shirley's eyes.
If, in his agitation, he misinterprets the look in them.]
Shirley. I don't know what happened to me. I was tricked. But it is me. Let me in.
[ooc: We bothered to look it up so I'm notating it. ;-) Lupin (based on David Thewlis's height) is 6'2½" (1.89 m). Shirley is 5'6" (168 cm), 5'8" in heels. Though I wouldn't bet against her levitating.]
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[she knows the difference well enough, and if he wants to embarrass himself or cause strains in such a state, shirley won't stop him. well, unless it is going to cause an awful ruckus. that, she will stop.]
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Autopilot muscle memory failure. He'd been distracted.
He should say Sorry they look alike from the outside but instead he raises his eyebrows at her wand.
"Are those standard issue in this place?"
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Why didn't he just roll out? She'd let him but he had to do it now. "Please get out, please."
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His tone is actually… trying to be gentle. With open, unguarded lunacy, he feels more allegiance and sympathy than with anyone putting on put-togetherness in this deranged place.
He tries to turn the wheelchair around. But the door has swung closed behind him. Trying to negotiate the door and the chair and the corner in a hurry is taking obviously more commotion and clamor, more time than was called for…
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[ Today she has bouquets, half a dozen all piled in her arms, and their wrappings crinkle as she climbs the stairs with soft feet. Somehow there's hope in decay, and she will carry them from room to room, silently leaving one behind. They have no signature and no vase; just lilies and chrysanthemums, stark and sweet. ]
[ In the corridors, River hums softly, a few notes, high and sweet. A music-box tune, or a lark song. For a few days thinks were all jumbled but for now everything seems cold and clear and easy. ]
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A rare thing.
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[ River tilts her head, responds to the smile with a deer-step forward, a little bewitched by Shirley. ]
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The sentiment will grow something among the patients, though.
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So beyond the realm of dreams and so deep is her sleep, that Tonks doesn't even stir when her door is opened. Tonks is resting on her side in a semi-fetal position. Her left hand is tucked underneath her head with her right hand resting on her bed on top of her wand.
The sleep is what she needs. ]
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Are there nightmares below the semblance of stillness, not-Nymphadora? She doesn't know that the potion has nullified that option, and so she's (perhaps falsely) moved to make inquiries on Dora's behalf.
Like where she was staying in the Outlander Block. It's not difficult information to obtain, but it's irritating to learn that the room has been turned back over to the landlady, and that no one really knows (or cares) what's become of her possessions.
Perhaps it's the recent loss of her own that spurs this as well? Maybe.
A little over two hours later she returns with a swath of dusky pink fabric over her arm. Slips in, leaves it on the foot of the ( ... )
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When he can't get his own mind together, as ever, he focuses on others. Check on patients. Check in with staff. See what he's missed, what he needs to fix and do. Clinic (in presence) and dojo (via forge). Make up for lost time.
(If he can ever make up for that lost time.)
He's leaning over a recently vacated bed for one last check of energies when he feels her and straightens to look.
Throat tightens, heart thuds-but he doesn't try to speak to her, doesn't try to approach her.
It means something that she came. Respect that by giving her freedom also to leave.]
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Looks out the window - not much out there. The rooms downstairs then, and on the same floor, too. Heine stands, makes himself more or less presentable, before stomping to the door and starting down the stairs.]
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Must you make your presence known this way?
[not that she looks bothered. at all. shirley, why are you here go away.]
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It's been louder.
[initiating defensive shrug-shoulderhunch formation.]
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