It's been suggested to me that one thing that might be preventing sales for me in the short market is that I *do* show an authentic view of Japan. Ambiguous endings. Bittersweet. Not happily-ever-after. Not pretty, or Anime, or what people expect.
Different, but not Weird in the sellable way.
As for the Heian. Pfft. Give me the Sengoku Jidai. And a woman with an attitude and a 7ft pole arm to back it up.
And I've never yet come across anything where the characters are impoverished Samurai hanging out in Edo, which would be a great setting.
It's set in the provinces and it's a movie, but--have you checked out Twilight Samurai? Lovely depiction of the beginning of the Meiji Restoration from the perspective of a very poor Samurai on what would end up being the losing side.
I haven't seen Twilight Samurai yet, but it was recommended to me by several members of my traditional school of Japanese swordsmanship. Which says something.
**illustrating** the otherasakiyumeMarch 16 2008, 14:26:49 UTC
the word "illustrating" got me thinking of picture books...
I've seen so many picture books that are telling Japanese tales and then get key details wrong (shoes in the house was one particularly jarring one, but the kimonos closing in the wrong direction is one I often see)--sometimes, if the illustrations are really bad, the costumes are a mish-mash of Chinese and Japanese. The reverse happens, too, with stories about China.
Then I think of the really beautiful picture books of Iwasaki Chihiro, illustrating Japanese folk stories like "The Crane Maiden" or "Urashima Taro"... so pretty:
Neither the link to the post nor the one to the journal work for me. :-(
Have you read 'Number9Dream', by David Mitchell (one of my favourite writers at the moment)? After a slightly bewildering start, it's really a wonderful novel, and reads very 'true' Japanese for me. Something about the casual details, the way things are mentioned but not always explained, works very well. Plus, it's an excellent book.
Of course, it helps that the author is married to a Japanese woman and has lived there for (I think something like) eighteen years.
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It's been suggested to me that one thing that might be preventing sales for me in the short market is that I *do* show an authentic view of Japan. Ambiguous endings. Bittersweet. Not happily-ever-after. Not pretty, or Anime, or what people expect.
Different, but not Weird in the sellable way.
As for the Heian. Pfft. Give me the Sengoku Jidai. And a woman with an attitude and a 7ft pole arm to back it up.
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EVerything seems to be vampires, from what I hear.
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And I've never yet come across anything where the characters are impoverished Samurai hanging out in Edo, which would be a great setting.
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It's set in the provinces and it's a movie, but--have you checked out Twilight Samurai? Lovely depiction of the beginning of the Meiji Restoration from the perspective of a very poor Samurai on what would end up being the losing side.
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I've seen so many picture books that are telling Japanese tales and then get key details wrong (shoes in the house was one particularly jarring one, but the kimonos closing in the wrong direction is one I often see)--sometimes, if the illustrations are really bad, the costumes are a mish-mash of Chinese and Japanese. The reverse happens, too, with stories about China.
Then I think of the really beautiful picture books of Iwasaki Chihiro, illustrating Japanese folk stories like "The Crane Maiden" or "Urashima Taro"... so pretty:
( ... )
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Have you read 'Number9Dream', by David Mitchell (one of my favourite writers at the moment)?
After a slightly bewildering start, it's really a wonderful novel, and reads very 'true' Japanese for me. Something about the casual details, the way things are mentioned but not always explained, works very well.
Plus, it's an excellent book.
Of course, it helps that the author is married to a Japanese woman and has lived there for (I think something like) eighteen years.
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I haven't! But it's going down on the list.
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Ha, a fellow Dutchie-who-doesn't-read-much-Dutch, apparently....
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