This past weekend, I watched Overdrawn at the Memory Bank, which was wretched, but not unjoyable, and Casablanca, which was completely awesome ( Read more... )

A movie that begins with the infamous epigraph "Nothing is true, everything is permitted" and then moves to a shot of a door numbered fourty-two, followed by typewriters that turn themselves into giant bugs, weird monstors that exude hallucinogenic substances (and also turn into typewriters) and drugs made from ground up centipedes cannot possibly ( Read more... )