Perhaps I'm beating a dead horse, but here goes.
I was fascinated by the huge differences in how people perceive the way Buffy and Spike start their "relationship". I'm trying to find the crux of the divergence, and here is one possibility that came to mind:
Poll I give up! (The Buffy Edition)Yes, yes, we know it was a combination of factors. But which was the primary motivator for
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I came here to post pretty much exactly this.
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Buffy's still harbouring a death wish in Gone. Launching herself at Spike isn't so different from launching herself from Sweet's stage. She still wants to burn. Spike won't give her the big death so she'll take the little one. That and she needs him to stop talking, she needs to shut him up. There I do think there's something that could be framed as his pressurising her although I think that misses the point. But if Spike had backed off and more particularly hadn't thrown the whole "you came back wrong" thing in her face again and again she might have been able to return to the numb but semi-functioning state she was able to maintain before Sweet forced that confession. Or to direct her fury at the people she really needed to feel it. As it was that catharsis was denied her until Normal Again.
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This scene, though? I am ALL OVER THIS SCENE! Epic train wreck!
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That's also the answer to every "how could she/he do this or that during this scene". Slayer/vampire strength. Don't try it at home. :)
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So her primary motivation is about getting some - contact with the world beyond the grey cotton-wool that surrounds her in her depression.
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Spike: I wasn't planning on hurting you... much. (smirks)
Buffy: You haven't come close to hurting me!
Spike : Afraid you're gonna give me a chance? Afraid I'm gonna...
Buffy plans a kiss on his lips.
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*see Spike's look of utter surprise when Buffy hops on here*
<--doesn't actually have a screencap of that.
Anyway, I think that scene would have happened eventually, but the process was sped up by her thinking she had the scapegoat of coming back "wrong," which is kind of odd, since she doesn't say "the hell with it" to anything else in her life. Flimsy excuse is flimsy, so it circles all back to her giving in to her own desires, IMO.
Not that I blame her for riding the Spike train, cause duh :p
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Abstinence and sexual frustration and then BAM! Or is it "BOOM!"?
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Had she not been depressed, had he not been a soulless vampire, had they not both been longing for connection - well, then that would have been a different show altogether, so never mind that.
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