Dorothea is a bit too perfect but I ended up enjoying this a lot. The thing about ‘Middlemarch’ people it’s that even the ones that are quite rebellious to other middlemarchers seem not quite rebellious enough to us but I ended quite worried about their fate, which is not little. I’m also a book closer to ‘The Marriage Plot’, so hopefully Eugenides won’t make any more stupid comments and hinder my enjoyment of that. Back to this novel, the way I’d describe it is a ‘very proper soap’, which I guess it’s what the comedy of manners is.
One of the things that is inevitably dated in classic literature is the currency. In Middlemarch we know Dorothea, also ‘Dodo’, has 700 pounds a year left to her by her parents,
[Spoiler (click to open)] and 1900 from Cassaubon. As per the calculations that 1 pound of then is 100 dollars of today, which are approximately 50 pounds of today as per current exchange rate. That means 130.000 a year, so, a little more than 10.000 pounds a month. When she marries Will she gets 700 only, that is, 35.000 a year and a little less than 3.000 pounds a month. The reduction is significant but she is not ‘so very poor’ by middle class standards of today. The whole Garth family is managing quite well with less and they have like 6 children.
"You have your own opinion about everything, Miss Brooke, and it is always a good opinion." What answer was possible to such stupid complimenting? ---> Does this happen to you? This happens to me all the time. I can't imagine why some guys live in this universe where being agreed to indiscriminately is flattering. Makes me think they want to date slaves or sex robots. People don't agree with you about everything, otherwise there would be very little point in interacting with them, to get your own opinions back! And often they won't even bother trying to deduce what logic you used to arrive to your conclusion, as if a woman should feel it a great compliment if the validity of her opinions is confirmed by her looks. I wish Dorothea had kept up the sass, tbh.
* "How should I be able now to persevere in any path without your companionship?" said Mr. Casaubon, kissing her candid brow, and feeling that heaven had vouchsafed him a blessing in every way suited to his peculiar wants. He was being unconsciously wrought upon by the charms of a nature which was entirely without hidden calculations either for immediate effects or for remoter ends. It was this which made Dorothea so childlike, and, according to some judges, so stupid, with all her reputed cleverness; as, for example, in the present case of throwing herself, metaphorically speaking, at Mr. Casaubon's feet, and kissing his unfashionable shoe-ties as if he were a Protestant Pope. She was not in the least teaching Mr. Casaubon to ask if he were good enough for her, but merely asking herself anxiously how she could be good enough for Mr. Casaubon.
He had been left an orphan when he was fresh from a public school. His father, a military man, had made but little provision for three children, and when the boy Tertius asked to have a medical education, it seemed easier to his guardians to grant his request by apprenticing him to a country practitioner than to make any objections on the score of family dignity. He was one of the rarer lads who early get a decided bent and make up their minds that there is something particular in life which they would like to do for its own sake, and not because their fathers did it. Most of us who turn to any subject with love remember some morning or evening hour when we got on a high stool to reach down an untried volume, or sat with parted lips listening to a new talker, or for very lack of books began to listen to the voices within, as the first traceable beginning of our love. Something of that sort happened to Lydgate. He was a quick fellow, and when hot from play, would toss himself in a corner, and in five minutes be deep in any sort of book that he could lay his hands on: if it were Rasselas or Gulliver, so much the better, but Bailey's Dictionary would do, or the Bible with the Apocrypha in it. Something he must read, when he was not riding the pony, or running and hunting, or listening to the talk of men. All this was true of him at ten years of age; he had then read through "Chrysal, or the Adventures of a Guinea," which was neither milk for babes, nor any chalky mixture meant to pass for milk, and it had already occurred to him that books were stuff, and that life was stupid. His school studies had not much modified that opinion, for though he "did" his classics and mathematics, he was not pre-eminent in them. It was said of him, that Lydgate could do anything he liked, but he had certainly not yet liked to do anything remarkable. He was a vigorous animal with a ready understanding, but no spark had yet kindled in him an intellectual passion; knowledge seemed to him a very superficial affair, easily mastered: judging from the conversation of his elders, he had apparently got already more than was necessary for mature life. Probably this was not an exceptional result of expensive teaching at that period of short-waisted coats, and other fashions which have not yet recurred. But, one vacation, a wet day sent him to the small home library to hunt once more for a book which might have some freshness for him: in vain! unless, indeed, he took down a dusty row of volumes with gray-paper backs and dingy labels-the volumes of an old Cyclopaedia which he had never disturbed. It would at least be a novelty to disturb them. They were on the highest shelf, and he stood on a chair to get them down. But he opened the volume which he first took from the shelf: somehow, one is apt to read in a makeshift attitude, just where it might seem inconvenient to do so. The page he opened on was under the head of Anatomy, and the first passage that drew his eyes was on the valves of the heart. He was not much acquainted with valves of any sort, but he knew that valvae were folding-doors, and through this crevice came a sudden light startling him with his first vivid notion of finely adjusted mechanism in the human frame. A liberal education had of course left him free to read the indecent passages in the school classics, but beyond a general sense of secrecy and obscenity in connection with his internal structure, had left his imagination quite unbiassed, so that for anything he knew his brains lay in small bags at his temples, and he had no more thought of representing to himself how his blood circulated than how paper served instead of gold. But the moment of vocation had come, and before he got down from his chair, the world was made new to him by a presentiment of endless processes filling the vast spaces planked out of his sight by that wordy ignorance which he had supposed to be knowledge. From that hour Lydgate felt the growth of an intellectual passion.
"Language gives a fuller image, which is all the better for beings vague. After all, the true seeing is within; and painting stares at you with an insistent imperfection. I feel that especially about representations of women. As if a woman were a mere colored superficies! You must wait for movement and tone. There is a difference in their very breathing: they change from moment to moment.-This woman whom you have just seen, for example: how would you paint her voice, pray? But her voice is much diviner than anything you have seen of her."
Not that this inward amazement of Dorothea's was anything very exceptional: many souls in their young nudity are tumbled out among incongruities and left to "find their feet" among them, while their elders go about their business. Nor can I suppose that when Mrs. Casaubon is discovered in a fit of weeping six weeks after her wedding, the situation will be regarded as tragic. Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.
"I suppose I am dull about many things," said Dorothea, simply. "I should like to make life beautiful-I mean everybody's life. And then all this immense expense of art, that seems somehow to lie outside life and make it no better for the world, pains one. It spoils my enjoyment of anything when I am made to think that most people are shut out from it."
"I call that the fanaticism of sympathy," said Will, impetuously. "You might say the same of landscape, of poetry, of all refinement. If you carried it out you ought to be miserable in your own goodness, and turn evil that you might have no advantage over others. The best piety is to enjoy-when you can. You are doing the most then to save the earth's character as an agreeable planet. And enjoyment radiates. It is of no use to try and take care of all the world; that is being taken care of when you feel delight-in art or in anything else. Would you turn all the youth of the world into a tragic chorus, wailing and moralizing over misery? I suspect that you have some false belief in the virtues of misery, and want to make your life a martyrdom." Will had gone further than he intended, and checked himself. But Dorothea's thought was not taking just the same direction as his own, and she answered without any special emotion-
He did this in an episodic way, very much as he gave orders to his tailor for every requisite of perfect dress, without any notion of being extravagant. On the contrary, he would have despised any ostentation of expense; his profession had familiarized him with all grades of poverty, and he cared much for those who suffered hardships. He would have behaved perfectly at a table where the sauce was served in a jug with the handle off, and he would have remembered nothing about a grand dinner except that a man was there who talked well. But it had never occurred to him that he should live in any other than what he would have called an ordinary way, with green glasses for hock, and excellent waiting at table. In warming himself at French social theories he had brought away no smell of scorching. We may handle even extreme opinions with impunity while our furniture, our dinner-giving, and preference for armorial bearings in our own case, link us indissolubly with the established order. And Lydgate's tendency was not towards extreme opinions: he would have liked no barefooted doctrines, being particular about his boots: he was no radical in relation to anything but medical reform and the prosecution of discovery. In the rest of practical life he walked by hereditary habit; half from that personal pride and unreflecting egoism which I have already called commonness, and half from that naivete which belonged to preoccupation with favorite ideas.
Dorothea told him that she had seen Lydgate, and recited the gist of her conversation with him about the Hospital. Mr. Casaubon did not question her further, but he felt sure that she had wished to know what had passed between Lydgate and himself. "She knows that I know," said the ever-restless voice within; but that increase of tacit knowledge only thrust further off any confidence between them. He distrusted her affection; and what loneliness is more lonely than distrust?
If youth is the season of hope, it is often so only in the sense that our elders are hopeful about us; for no age is so apt as youth to think its emotions, partings, and resolves are the last of their kind. Each crisis seems final, simply because it is new. We are told that the oldest inhabitants in Peru do not cease to be agitated by the earthquakes, but they probably see beyond each shock, and reflect that there are plenty more to come.
But the gentle gray, unprepared for the crash of a tree that was being felled on the edge of Halsell wood, took fright, and caused a worse fright to Rosamond, leading finally to the loss of her baby. Lydgate could not show his anger towards her, but he was rather bearish to the Captain, whose visit naturally soon came to an end.
In all future conversations on the subject, Rosamond was mildly certain that the ride had made no difference, and that if she had stayed at home the same symptoms would have come on and would have ended in the same way, because she had felt something like them before.
Lydgate could only say, "Poor, poor darling!"-but he secretly wondered over the terrible tenacity of this mild creature. There was gathering within him an amazed sense of his powerlessness over Rosamond. His superior knowledge and mental force, instead of being, as he had imagined, a shrine to consult on all occasions, was simply set aside on every practical question. He had regarded Rosamond's cleverness as precisely of the receptive kind which became a woman. He was now beginning to find out what that cleverness was-what was the shape into which it had run as into a close network aloof and independent. No one quicker than Rosamond to see causes and effects which lay within the track of her own tastes and interests: she had seen clearly Lydgate's preeminence in Middlemarch society, and could go on imaginatively tracing still more agreeable social effects when his talent should have advanced him; but for her, his professional and scientific ambition had no other relation to these desirable effects than if they had been the fortunate discovery of an ill-smelling oil. And that oil apart, with which she had nothing to do, of course she believed in her own opinion more than she did in his. Lydgate was astounded to find in numberless trifling matters, as well as in this last serious case of the riding, that affection did not make her compliant.
Early in the morning-about six-Mr. Bulstrode rose and spent some time in prayer. Does any one suppose that private prayer is necessarily candid-necessarily goes to the roots of action? Private prayer is inaudible speech, and speech is representative: who can represent himself just as he is, even in his own reflections? Bulstrode had not yet unravelled in his thought the confused promptings of the last four-and-twenty hours.
This was the tone of thought chiefly sanctioned by Mrs. Dollop, the spirited landlady of the Tankard in Slaughter Lane, who had often to resist the shallow pragmatism of customers disposed to think that their reports from the outer world were of equal force with what had "come up" in her mind. How it had been brought to her she didn't know, but it was there before her as if it had been "scored with the chalk on the chimney-board-" as Bulstrode should say, "his inside was that black as if the hairs of his head knowed the thoughts of his heart, he'd tear 'em up by the roots."
"Oh, you dear good father!" cried Mary, putting her hands round her father's neck, while he bent his head placidly, willing to be caressed. "I wonder if any other girl thinks her father the best man in the world!"
"Nonsense, child; you'll think your husband better."
"Impossible," said Mary, relapsing into her usual tone; "husbands are an inferior class of men, who require keeping in order." ---> Do I need to say anything?
* "Oh no, they will keep two years."
"Two years! be reasonable, Fred," said Mary, turning to walk. "Don't encourage flattering expectations."
"Why not? One lives on them better than on unflattering ones. If we can't be married in two years, the truth will be quite bad enough when it comes." --> This reminded me of Draco, wondering why people were so set on 'not setting their hopes up', as if it was so unbearable to be disappointed. Which is inevitable anyway.
Every limit is a beginning as well as an ending.
Dorothea could have liked nothing better, since wrongs existed, than that her husband should be in the thick of a struggle against them, and that she should give him wifely help. Many who knew her, thought it a pity that so substantive and rare a creature should have been absorbed into the life of another, and be only known in a certain circle as a wife and mother. But no one stated exactly what else that was in her power she ought rather to have done-not even Sir James Chettam, who went no further than the negative prescription that she ought not to have married Will Ladislaw.
Final lines, so the spoiliest of the spoily! I think Eliot is explaining why Dorothea doesn't get to have a career or her own destiny, which is something she's been criticized for by feminists. And it's the very reason feminism exists, Dorothea clearly points out that she did not get to do what she liked being a rich widow because James nixed all her plans (to which Celia reasonably says that those plans 'would not do') so, in the end, what is she giving up by marrying Will? Money. Money she can't use. She practically begs Lydgate to take some because at least he could do something worthwhile with it and that way she'll get some of the credit. And then she goes on to take Will's, because it's all she can get. Like with Alcott, it's interesting that Eliot did herself manage what her protagonist did not. Certainly those determining acts of her life were not ideally beautiful. They were the mixed result of young and noble impulse struggling amidst the conditions of an imperfect social state, in which great feelings will often take the aspect of error, and great faith the aspect of illusion. For there is no creature whose inward being is so strong that it is not greatly determined by what lies outside it. A new Theresa will hardly have the opportunity of reforming a conventual life, any more than a new Antigone will spend her heroic piety in daring all for the sake of a brother's burial: the medium in which their ardent deeds took shape is forever gone. But we insignificant people with our daily words and acts are preparing the lives of many Dorotheas, some of which may present a far sadder sacrifice than that of the Dorothea whose story we know.
Her finely touched spirit had still its fine issues, though they were not widely visible. Her full nature, like that river of which Cyrus broke the strength, spent itself in channels which had no great name on the earth. But the effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.