It's been a hectic few days, between the weekly-supervillain-attack and the near end of the world descending on the earth. And Perry'd come into town, too--making all of Lois' days far more work-intensive, if only because she now has to put up with his yelling.
(She's thrilled to have him around again, but she'll be tortured before admitting that.)
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He's holding a package of maple donuts in front of him when she opens the door, quite possibly as a reason to speak to him longer than a glare. And if she tries to take the the bribe and run, he's perfectly fine with utilizing his speed and wandering in anyway.
"Hi."
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She looks surprised (pleasantly so) to see him for a moment, and then her eyes fall on the box of donuts. "Oooh, donuts!" is her only greeting, immediately opening it and yanking one.
(Sorry, Clark, but Lois Lane has her priorities.)
After taking a bite she gives him a quick grin. "Hey, Smallville. What'd'ya need?"
Because if he's bribing her, he wants something.
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"Thought maybe we could talk." About what, Clark is vaguely sure she probably has an inkling, but he isn't sure how to begin. Coming out and asking if she plans on running an in-depth 'behind the scenes' editorial on the world's newly unveiled hero is harder than it looks, and he doesn't want to offend her.
If only because she jumps to conclusions faster than a bunny towards a carrot.
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"Sure," she replies after a moment, still looking faintly puzzled. She sticks the donut in her mouth long enough to move a pile of file folders off of a chair so he can sit. Hopping up onto the counter, she absently crosses her legs at the ankles and leans forward.
"So what's up?"
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"Is this a routine or?"
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She honestly hadn't thought he'd want to talk about it.
"Clark." Her eyes are direct. "Have you ever known me to do that?"
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It's probably not the best way to go about this, but waiting for a more opportune time just isn't on the cards. Not with everyone and their uncle trying to get a word in with the primary colored hero, and all the criminals attempting to up the ante in regards to planning the perfect crime.
A madhouse, more or less.
"If this isn't a good time, let me know."
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And, well, whatever else is going on--whatever else he might be doing with his life--they are still friends. Or were, anyway, last time she checked, and losing that is not something she's quite prepared to contemplate.
She just rolls her eyes and waves the sad remnants of her current donut at him. "I swear to god, Kent, if you don't quit acting like I'm a freaking fanged cobra or something, I'll shove this down your throat so fast you won't get to taste it." Realizing that probably isn't reassuring at all--and wishing she could think at least once before opening her mouth more often--she gives him a quick grin and takes another bite. Yeah, not much of a threat. "It's fine, otherwise I wouldn't have let you come in in the first place. So what's up?"
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"It's called being polite and using the manners Mom raised me with." Oddly, he doesn't seem intimidated at all, apparently just trying to make sure there isn't anything pressing on her schedule for the next little while. With Lois, one never knows. "Talking. That's what's up. You, me, mouths moving."
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Polishing off the donut and eying the box for a moment, as if weighing the cost (too much fat and sugar) versus the benefits (donut!) of having another one, she comments almost absently, "Well, I think we've already managed that one."
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"Such as how you felt having a bird's eye view of the city's newly unveiled ... helper." Because he's still not comfortable saying superhero yet, especially in relation to himself.
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So she covers by snatching the donut out of his fingers. "Nu-huh. My bribe, fairly paid and received. You can get your own sugary death in a box."
Still, she's not quite looking at him. She's still not sure how they're supposed to be playing this, if she's still not supposed to know (even more than she'd been in denial all those months between throwing down with Tess at the Planet and that alleyway and the Book of Rao). "I figured it was only a matter of time before everyone involved had enough of the skulking-in-alleyways, honestly."
She's avoiding using either second or third-person pronouns.
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"You're mad at me."
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"Uh... no?" She gives him a sidelong look that says louder than words What crack are you smoking? "Why would I be mad at you?"
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