"Vainglorious" Bastards ~ A Tarantino Production
No Bangra ~ (A Poem based on the Quentin Tarrantino movie "Inglourious Basterds")
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Vainglorious bastards! My war is with words...
"Springtime for Hitler", ladies and Germ's!
The film score to take over the world
The rat is afoot, he wears das boot
He rides with spurs, he eats your food
So eat your heart out! Quaint in a funny sort of way
rife with anger, glorified power, ruthless killers
and need to kill the invisible child
You feel the needle and the damage done
In Adult cinema, the unhappy lad (basterd)
makes life miserable for his poor mother
I have no home, I have no home
Help me Eddie, I have no home...
Tarantino Casino Royale, not the typical
American military complex, but
the incompetent British Intelligence
that only speaks one language
funny as hell, if hell was funny
Swine of Orwell, 1984, the pig smells
of cheap cigars and wine calogne
The pig wreaks of stale cigarettes and beer
Coffee and cigarettes, your last request will be
"One more 'last' cigarette"
His story is a glorified snuff film
suitable for Germans, Jews and Afro-americans,
this includes Indians too...
Dear Cinderella, she plays charades,
follows the hitmen in the hit parades
Russian roulette ala Moulin rouge
aka AK47, M82, just like Romeo and Juliet!
The rest were seduced by Mirrielle, Methieux
Poor Cinderella, she shoots herself in the foot
she talks to squirrels, nervous dangerous, deeply disturbed
The rabid dog foams from the jowl
The dogs of war roam over all this earth
The 'Howl' - ing Jew, the rabbi dog
Does your dog howl? - He's not my dog...
Does your god bite? - He's not my god...
You knew when you met me that I was a snake;
That takes the anti-semitic cake!
False pride, false prejudice
False hope inside a "Nation's Pride"
Lion in winter, the Bear is a jew
The Eagle has landed, the dragon dies too,
while eating its tail
Pestilence war famine and death;
One white, one red, one black, one man
Are we there yet?
No love lost between colour or creed?
Blood and gore, sex or greed
Singing for a simple faith to Leap
Elijah, come blow your horn!
Where the hell is Elijah?
In the den of inequity...
On Monday, the rabbi took off!
"Vainglorious Bastards,
Ladies and Germ's,
Heil Hitler!"
My war is with words...
the word according to luke 09:02-09
"I like the idea that it's the power of cinema that fights the Nazis," says Tarantino. "But not just as a metaphor - as a literal reality."
Like a Tarantino Version of Romeo and Juliet ~ Loosely based on Schindler's List
The only thing missing from this is Mel Gibson, playing "The Apache" German hunter, a role given to pretty bad boy Brad Pitt. This movie is anti-semitic as hell and irreverent as piss Christ. Here are Hanna Arendt's views on this in a book she titled "We Ourselves Are to Blame". Scholars and movie-goers alike will be happy finally to have in one volume an exhaustive collection of Arendt’s published and unpublished writings on Jews and Jewish politics to translate the metaphors of Tarantino's ingenious comic script. These writings cover the entire gamut of 20th Jewish political culture: the German Enlightenment and Emancipation, assimilation and anti-Semitism, and Zionism and the Holocaust. A viewer inspired enough to plow through all five chapters of the celluloid collection will find that Tarantino, like Arendt, was consistent to the point of repetition. Those who want to know more about Jewish plight of WWII, judiciously might start in 2009 with Quentin Tarrantino movie "Inglourious Basterds" to glean insight into the justly famous “The Jew as Pariah: A Hidden Tradition,” of refugees in rural Europe hiding beneath the floor boards, “Zionism Reconsidered”(an important first salvo against official Naziism and it's proponent Zionism), “The Jewish State,” “Peace or Armistice in the Near East,” and Arendt’s response to her critics after the publication of Eichmann in Jerusalem. Reflections by Tarantino’s jewish brigadier, entitled “The Bear Jew,” make for a genuinely touching and somewhat traumatic viewing. Read the book, then watch the movie... then watch the book, then read the movie... The subtitles are there for a reason, when the Nazi spy actress asks the American Apache commander whether they speak 'any other language other than English'? All the other characters are Europeanly multi-lingual, a statement on English and American Imperialism. Well, they speak loads of male violence or malevolence; Does that count?
.
.
We Ourselves Are to Blame: Hannah Arendt’s Jewish Writings
http://www.zeek.net/709arendt/
Quentin Tarrantino's American Nazi Jewish Revenge movie "Inglourious Basterds"
Theatrical Review: INGLOURIOUS BASTERDS by: Rusty Gordon August 17th, 2009
http://gordonandthewhale.com/theatrical-review-inglourious-basterds/
Movie Trailer: This is Way too Fucking Slow, Another Flash Fuck Film by Adobe...
http://www.inglouriousbasterds-movie.com/
Quentin Tarantino Partners With Playboy Graphic Adaptation Of ‘Inglourious Basterds’
.
.
The Power of Metaphor
Legendary director Quentin Tarantino has teamed up with Playboy Magazine for an awesome new feature in the upcoming September issue of Playboy - a graphic adaptation of a scene from ‘Inglourious Basterds,’ hand-picked and edited by Quentin Tarantino himself! Tarantino was very involved in this project, even making personal, handwritten edits on the copy.
http://www.iconvsicon.com/tag/inglorious-baterds/
The Prologue ~ Vainglorious Bastards 'R U.S.
Metaphor speaks louder than whores... Scripted in comic book fashion around Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. With Swift-like wit, the Basterds soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers to re-write the ending of the fate of Hitler in the Second World War! A romp through the woods with a vampiric pipe smoking Sherlock Holmes-like stalag officer nicknamed "The Jew Hunter", because he is a rat and thinks like a rat, he hunts "jewish" rats with cunning success.
The "Jew Hunter"
Oh, Femme Fatale! Of course the beautiful heroines die! Like everything with Tarrantino, anything with tits still left standing at the end of the movie, has to be destroyed.
Quentin Tarrantino movie "Inglourious Basterds"
http://www.inglouriousbasterds-movie.com/
Nasty Basterds ~ Always Get Their Man
Tattoo Anyone?
If this movie isn't a home run, I don't know what is? It has everything, even the kids will enjoy the gratuitous Apache scalp trick, showing how to dismantle a fascist pig from his wig. Life doesn't get much better than this for an 8 year old boy like Tarrantino with a mommy complex. There is also a great scene of Tarrantino finally getting MacArthur-like justice on a German WWII officer with a good old American Yankee baseball bat, utterly knocking the brains of the Nazi outside the park.
A Yankee triple-hitter with a surprise ending! Batter Up!
Donny Donowitz may actually be the fiercest of the Basterds - says Aldo the American Apache hit-squad commander: "Watchin' Donny beat Nazis to death is the closest we ever get to goin' to the movies." Tarantino claims he won't be pulling punches. "If you think the script's violent," he grins, "then you'll think the movie's violent."
Nation's Pride ~ The Film Within the Film
This is a teasing snippet of 'Chapter Three: German Night In Paris'. This black-and-white footage is from a film-within-the-film called Nation's Pride, a propaganda film being made by Joseph Goebbels, starring Frederik Zoller (Daniel Bruhl), a famous German sniper killing spree of American soldiers in WWII. Says Tarantino, "He's a little bit based on Audie Murphy [an American GI who became a Western star after a biopic was made of his wartime heroism]. And just like Audie Murphy, he's about to become a movie star."
Name That Pig, Hillaire ~ Heil Hitler?
This is the moment that Adolf Hitler (Martin Wuttke), leader of the Nazi Party and ruler of wartime Germany, finds out about the bloody antics of Aldo Raine and his mysterious crew, fearing that his soldiers are being turned into "superstitious old women" who believe the Basterds have supernatural powers. "I always knew I would have Hitler in it," says Tarantino. "I always knew Hitler would be a character. That was one of the first things I wrote. The Hitler stuff I wrote a long, long, long time ago. But I enjoyed writing Hitler. It was a lot of fun."
Dogs of War ~ Bar Fight!
This mini-Reservoir Dogs scene, set in a tiny, claustrophobic basement bar, is one of Tarantino's proudest achievements in the movie. "La Louisiane is a huuuuge deal, I think the biggest deal I've ever done, in any of my movies. I always said that once we'd done the La Louisiane, then... everything else won't exactly be easy, but it will appear easy after La Louisiane. And we'll be able to do a great climax because we've done the La Louisiane."
Blue Angel ~ Marlene Dietrich
Kruger's Von Hammersmark is a presence in the movie long before she makes an entrance, her face appearing on many movie posters that line the streets. She is a big star in Germany, the equivalent, perhaps, of a Marlene Dietrich. "I like the idea that it's the power of cinema that fights the Nazis," says Tarantino. "But not just as a metaphor - as a literal reality."
Women with Guns, aka Kill Bill and Sexy as Hell
Quentin Tarantino on the Inglourious Basterds Trailer
http://www.empireonline.com/features/tarantino-talks-inglourious-basterds-trailer/default.asp
.
.
.
Vainglorious bastards! My war is with words...
"Springtime for Hitler", ladies and Germ's!
The film score to take over the world
The rat is afoot, he wears das boot
He rides with spurs, he eats your food
So eat your heart out! Quaint in a funny sort of way
rife with anger, glorified power, ruthless killers
and need to kill the invisible child
You feel the needle and the damage done
In Adult cinema, the unhappy lad (basterd)
makes life miserable for his poor mother
I have no home, I have no home
Help me Eddie, I have no home...
Tarantino Casino Royale, not the typical
American military complex, but
the incompetent British Intelligence
that only speaks one language
funny as hell, if hell was funny
Swine of Orwell, 1984, the pig smells
of cheap cigars and wine calogne
The pig wreaks of stale cigarettes and beer
Coffee and cigarettes, your last request will be
"One more 'last' cigarette"
His story is a glorified snuff film
suitable for Germans, Jews and Afro-americans,
this includes Indians too...
Dear Cinderella, she plays charades,
follows the hitmen in the hit parades
Russian roulette ala Moulin rouge
aka AK47, M82, just like Romeo and Juliet!
The rest were seduced by Mirrielle, Methieux
Poor Cinderella, she shoots herself in the foot
she talks to squirrels, nervous dangerous, deeply disturbed
The rabid dog foams from the jowl
The dogs of war roam over all this earth
The 'Howl' - ing Jew, the rabbi dog
Does your dog howl? - He's not my dog...
Does your god bite? - He's not my god...
You knew when you met me that I was a snake;
That takes the anti-semitic cake!
False pride, false prejudice
False hope inside a "Nation's Pride"
Lion in winter, the Bear is a jew
The Eagle has landed, the dragon dies too,
while eating its tail
Pestilence war famine and death;
One white, one red, one black, one man
Are we there yet?
No love lost between colour or creed?
Blood and gore, sex or greed
Singing for a simple faith to Leap
Elijah, come blow your horn!
Where the hell is Elijah?
In the den of inequity...
On Monday, the rabbi took off!
"Vainglorious Bastards,
Ladies and Germ's,
Heil Hitler!"
My war is with words...
the word according to luke 09:02-09
"I like the idea that it's the power of cinema that fights the Nazis," says Tarantino. "But not just as a metaphor - as a literal reality."
Like a Tarantino Version of Romeo and Juliet ~ Loosely based on Schindler's List
The only thing missing from this is Mel Gibson, playing "The Apache" German hunter, a role given to pretty bad boy Brad Pitt. This movie is anti-semitic as hell and irreverent as piss Christ. Here are Hanna Arendt's views on this in a book she titled "We Ourselves Are to Blame". Scholars and movie-goers alike will be happy finally to have in one volume an exhaustive collection of Arendt’s published and unpublished writings on Jews and Jewish politics to translate the metaphors of Tarantino's ingenious comic script. These writings cover the entire gamut of 20th Jewish political culture: the German Enlightenment and Emancipation, assimilation and anti-Semitism, and Zionism and the Holocaust. A viewer inspired enough to plow through all five chapters of the celluloid collection will find that Tarantino, like Arendt, was consistent to the point of repetition. Those who want to know more about Jewish plight of WWII, judiciously might start in 2009 with Quentin Tarrantino movie "Inglourious Basterds" to glean insight into the justly famous “The Jew as Pariah: A Hidden Tradition,” of refugees in rural Europe hiding beneath the floor boards, “Zionism Reconsidered”(an important first salvo against official Naziism and it's proponent Zionism), “The Jewish State,” “Peace or Armistice in the Near East,” and Arendt’s response to her critics after the publication of Eichmann in Jerusalem. Reflections by Tarantino’s jewish brigadier, entitled “The Bear Jew,” make for a genuinely touching and somewhat traumatic viewing. Read the book, then watch the movie... then watch the book, then read the movie... The subtitles are there for a reason, when the Nazi spy actress asks the American Apache commander whether they speak 'any other language other than English'? All the other characters are Europeanly multi-lingual, a statement on English and American Imperialism. Well, they speak loads of male violence or malevolence; Does that count?
.
.
We Ourselves Are to Blame: Hannah Arendt’s Jewish Writings
http://www.zeek.net/709arendt/
Quentin Tarrantino's American Nazi Jewish Revenge movie "Inglourious Basterds"
Theatrical Review: INGLOURIOUS BASTERDS by: Rusty Gordon August 17th, 2009
http://gordonandthewhale.com/theatrical-review-inglourious-basterds/
Movie Trailer: This is Way too Fucking Slow, Another Flash Fuck Film by Adobe...
http://www.inglouriousbasterds-movie.com/
Quentin Tarantino Partners With Playboy Graphic Adaptation Of ‘Inglourious Basterds’
.
.
The Power of Metaphor
Legendary director Quentin Tarantino has teamed up with Playboy Magazine for an awesome new feature in the upcoming September issue of Playboy - a graphic adaptation of a scene from ‘Inglourious Basterds,’ hand-picked and edited by Quentin Tarantino himself! Tarantino was very involved in this project, even making personal, handwritten edits on the copy.
http://www.iconvsicon.com/tag/inglorious-baterds/
The Prologue ~ Vainglorious Bastards 'R U.S.
Metaphor speaks louder than whores... Scripted in comic book fashion around Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. With Swift-like wit, the Basterds soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers to re-write the ending of the fate of Hitler in the Second World War! A romp through the woods with a vampiric pipe smoking Sherlock Holmes-like stalag officer nicknamed "The Jew Hunter", because he is a rat and thinks like a rat, he hunts "jewish" rats with cunning success.
The "Jew Hunter"
Oh, Femme Fatale! Of course the beautiful heroines die! Like everything with Tarrantino, anything with tits still left standing at the end of the movie, has to be destroyed.
Quentin Tarrantino movie "Inglourious Basterds"
http://www.inglouriousbasterds-movie.com/
Nasty Basterds ~ Always Get Their Man
Tattoo Anyone?
If this movie isn't a home run, I don't know what is? It has everything, even the kids will enjoy the gratuitous Apache scalp trick, showing how to dismantle a fascist pig from his wig. Life doesn't get much better than this for an 8 year old boy like Tarrantino with a mommy complex. There is also a great scene of Tarrantino finally getting MacArthur-like justice on a German WWII officer with a good old American Yankee baseball bat, utterly knocking the brains of the Nazi outside the park.
A Yankee triple-hitter with a surprise ending! Batter Up!
Donny Donowitz may actually be the fiercest of the Basterds - says Aldo the American Apache hit-squad commander: "Watchin' Donny beat Nazis to death is the closest we ever get to goin' to the movies." Tarantino claims he won't be pulling punches. "If you think the script's violent," he grins, "then you'll think the movie's violent."
Nation's Pride ~ The Film Within the Film
This is a teasing snippet of 'Chapter Three: German Night In Paris'. This black-and-white footage is from a film-within-the-film called Nation's Pride, a propaganda film being made by Joseph Goebbels, starring Frederik Zoller (Daniel Bruhl), a famous German sniper killing spree of American soldiers in WWII. Says Tarantino, "He's a little bit based on Audie Murphy [an American GI who became a Western star after a biopic was made of his wartime heroism]. And just like Audie Murphy, he's about to become a movie star."
Name That Pig, Hillaire ~ Heil Hitler?
This is the moment that Adolf Hitler (Martin Wuttke), leader of the Nazi Party and ruler of wartime Germany, finds out about the bloody antics of Aldo Raine and his mysterious crew, fearing that his soldiers are being turned into "superstitious old women" who believe the Basterds have supernatural powers. "I always knew I would have Hitler in it," says Tarantino. "I always knew Hitler would be a character. That was one of the first things I wrote. The Hitler stuff I wrote a long, long, long time ago. But I enjoyed writing Hitler. It was a lot of fun."
Dogs of War ~ Bar Fight!
This mini-Reservoir Dogs scene, set in a tiny, claustrophobic basement bar, is one of Tarantino's proudest achievements in the movie. "La Louisiane is a huuuuge deal, I think the biggest deal I've ever done, in any of my movies. I always said that once we'd done the La Louisiane, then... everything else won't exactly be easy, but it will appear easy after La Louisiane. And we'll be able to do a great climax because we've done the La Louisiane."
Blue Angel ~ Marlene Dietrich
Kruger's Von Hammersmark is a presence in the movie long before she makes an entrance, her face appearing on many movie posters that line the streets. She is a big star in Germany, the equivalent, perhaps, of a Marlene Dietrich. "I like the idea that it's the power of cinema that fights the Nazis," says Tarantino. "But not just as a metaphor - as a literal reality."
Women with Guns, aka Kill Bill and Sexy as Hell
Quentin Tarantino on the Inglourious Basterds Trailer
http://www.empireonline.com/features/tarantino-talks-inglourious-basterds-trailer/default.asp
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