Hamlet: RSC 2008 - Reaction Post
In which your reviewer attempts to stay coherent and calm, but may flail on occasion!
OK. First things first - I've never seen "Hamlet" live before (I've read it about 6 times (including 3 times while I was doing it for my English degree a few years ago), I've seen the Gibson film (yeah, I know, but I couldn't get hold of the Brannagh version), and I've no real idea about how to talk about directing decisions, so please bear with me!
So. Having never seen "Hamlet" live before, I picked a performance with two of my favourite actors in the lead roles - David Tennant and Patrick Stewart, I'm looking at you. And boy was that a GOOD choice. These two men are bloody brilliant as Hamlet and Claudius - I don't tend to use the word "genius" of living people because it's a hard word to live up to, but these two men are genius actors. The play had me spellbound and I barely noticed the 3.5 hours passing by.
The stage and the back wall behind it are both mirrored (I don't know if that's the norm for the Courtyard Theatre - this was also my first production at the RSC in Stratford - talk about a whole heap of firsts!) - and the director (Greg Doran) makes excellent use of it in the opening scenes with the watchmen on the tower seeing old Hamlet's ghost - they carried torches which they occasionally shone onto the floor, reflecting the light and making the whole scene incredibly spooky - just what you need to introduce a ghost!
David's first scene is when everyone arrives on stage following the wedding of Hamlet's uncle Claudius to his brother's wife/Hamlet's mother Gertrude. He came on and stood in a corner of the stage (actually about 6 - 8 feet from where I was sitting in the stalls). He had his hair slicked back and was wearing a dark suit (this is a modern dress performance), and I was immediately reminded of David's role as Barty Crouch Jr - there was the same stillness about him, plus a slight air of menace and controlled purpose. (I'm not saying he was recreating Barty Jr - just that the look and the stillness reminded me of the HP character. Yes, I am going to reference other roles I've seen him in, just so you know!)
Hamlet's stillness and dark clothes are in strong contrast to the rest of the wedding party, so he drew my eye and I found myself keeping half an eye on him even as I watched the other characters interacting.
Patrick Stewart, as Claudius, wore a 3-piece suit throughout (I think - bear with me - I had about 2 hours sleep last night and I'm feeling a bit fuzzy-headed now!), and wire-framed glasses which give him a wise and respectable air (which is, of course, completely at odds with him being old Hamlet's murderer).
This was a great ensemble cast. The descent of Ophelia (Mariah Gale) into madness was beautifully acted and quite unnerving. Rosencrantz (Sam Alexander) and Guildernstern (Tom Davey) were really rather stupid. Laertes (Edward Bennett) didn't really work for me in the latter part of the play: when he's threatening Claudius, he was unconvincing - like a teenager, who'd been watching too many gangster movies, and his death didn't really bother me.
Gertrude (Penny Downie) was excellent - particularly during the dumbshow (which was very OTT and funny) which precedes the play-within-the-play - I saw her fidgeting uneasily throughout and her hands were never still - and during the closet scene in which she confronts Hamlet about his behaviour and he accuses her of incest, he says:
You cannot call it love; for at your age
The hey-day in the blood is tame, it's humble,
And waits upon the judgment: and what judgment
Would step from this to this?
And I noticed (and I'm slightly embarrassed to admit this!) that her nipples were very visible, and I thought "Yeah, she's not so old as all that, Hamlet, for all you're 30!"
Horatio (Peter de Jersey) was very good as Hamlet's friend - trying to inject some sanity and wisdom into Hamlet's mad proceedings. Interestingly, David played Hamlet as less mad than knowing/calculating - and oh so witty and funny! I've never had so much of a sense of the comedy in the play as I did when seeing this production: David has amazing comic timing - which Patrick Stewart freely acknowledged during the after-show talk with (most of) the cast. The exchanges between Hamlet and Polonius (Oliver Ford Davies) were brilliantly witty and clever, showing up Polonius for the old windbag that he is. Oliver Ford Davies does a brilliant job actually - going off into mumbled asides, or losing the thread of what he's saying.
Things that particularly stood out: the quiet intensity of the graveyard scene where Hamlet's discussing old Yorick, whom he once knew well; the closet scene with Gertrude where David leaps up onto the bed to stand arguing with her; the sword fight with Laertes; the hauntings by the Ghost of old Hamlet; Ophelia's scenes wherein she's mad; Gertrude's reaction to the dumbshow before the play-within-the-play; this exchange between Hamlet and Ophelia:
Hamlet: Lady, shall I lie in your lap?
[Spinning a small footstool by one foot in his right hand]
Ophelia: No, my lord.
Hamlet: I mean, my head upon your lap?
Ophelia: Ay, my lord.
Hamlet: Do you think I meant country matters?
Ophelia: I think nothing, my lord.
Hamlet: That's a fair thought to lie between maids' legs.
- David's Hamlet puts great emphasis on the first syllable of "country" all the while squatting in front of her on hands and heels and thrusting his crotch at her (how any of us in the audience who fancy DT managed to restrain ourselves at that point, I really don't know!); Horatio's final lines to Hamlet: Now cracks a noble heart. Good night sweet prince: / And flights of angels sing thee to thy rest! (which I'm not ashamed to say reduced me to tears).
All in all, this was a fantastic performance from the whole cast and I'm very grateful to have had the chance to see the show live and with my two favourite actors in the lead roles (hooray for early 40th birthday presents!).
It was also great to see the show with londonbeauty001, evilgeniuslady and aria28 - thanks girls, I had a great time!
OK. First things first - I've never seen "Hamlet" live before (I've read it about 6 times (including 3 times while I was doing it for my English degree a few years ago), I've seen the Gibson film (yeah, I know, but I couldn't get hold of the Brannagh version), and I've no real idea about how to talk about directing decisions, so please bear with me!
So. Having never seen "Hamlet" live before, I picked a performance with two of my favourite actors in the lead roles - David Tennant and Patrick Stewart, I'm looking at you. And boy was that a GOOD choice. These two men are bloody brilliant as Hamlet and Claudius - I don't tend to use the word "genius" of living people because it's a hard word to live up to, but these two men are genius actors. The play had me spellbound and I barely noticed the 3.5 hours passing by.
The stage and the back wall behind it are both mirrored (I don't know if that's the norm for the Courtyard Theatre - this was also my first production at the RSC in Stratford - talk about a whole heap of firsts!) - and the director (Greg Doran) makes excellent use of it in the opening scenes with the watchmen on the tower seeing old Hamlet's ghost - they carried torches which they occasionally shone onto the floor, reflecting the light and making the whole scene incredibly spooky - just what you need to introduce a ghost!
David's first scene is when everyone arrives on stage following the wedding of Hamlet's uncle Claudius to his brother's wife/Hamlet's mother Gertrude. He came on and stood in a corner of the stage (actually about 6 - 8 feet from where I was sitting in the stalls). He had his hair slicked back and was wearing a dark suit (this is a modern dress performance), and I was immediately reminded of David's role as Barty Crouch Jr - there was the same stillness about him, plus a slight air of menace and controlled purpose. (I'm not saying he was recreating Barty Jr - just that the look and the stillness reminded me of the HP character. Yes, I am going to reference other roles I've seen him in, just so you know!)
Hamlet's stillness and dark clothes are in strong contrast to the rest of the wedding party, so he drew my eye and I found myself keeping half an eye on him even as I watched the other characters interacting.
Patrick Stewart, as Claudius, wore a 3-piece suit throughout (I think - bear with me - I had about 2 hours sleep last night and I'm feeling a bit fuzzy-headed now!), and wire-framed glasses which give him a wise and respectable air (which is, of course, completely at odds with him being old Hamlet's murderer).
This was a great ensemble cast. The descent of Ophelia (Mariah Gale) into madness was beautifully acted and quite unnerving. Rosencrantz (Sam Alexander) and Guildernstern (Tom Davey) were really rather stupid. Laertes (Edward Bennett) didn't really work for me in the latter part of the play: when he's threatening Claudius, he was unconvincing - like a teenager, who'd been watching too many gangster movies, and his death didn't really bother me.
Gertrude (Penny Downie) was excellent - particularly during the dumbshow (which was very OTT and funny) which precedes the play-within-the-play - I saw her fidgeting uneasily throughout and her hands were never still - and during the closet scene in which she confronts Hamlet about his behaviour and he accuses her of incest, he says:
You cannot call it love; for at your age
The hey-day in the blood is tame, it's humble,
And waits upon the judgment: and what judgment
Would step from this to this?
And I noticed (and I'm slightly embarrassed to admit this!) that her nipples were very visible, and I thought "Yeah, she's not so old as all that, Hamlet, for all you're 30!"
Horatio (Peter de Jersey) was very good as Hamlet's friend - trying to inject some sanity and wisdom into Hamlet's mad proceedings. Interestingly, David played Hamlet as less mad than knowing/calculating - and oh so witty and funny! I've never had so much of a sense of the comedy in the play as I did when seeing this production: David has amazing comic timing - which Patrick Stewart freely acknowledged during the after-show talk with (most of) the cast. The exchanges between Hamlet and Polonius (Oliver Ford Davies) were brilliantly witty and clever, showing up Polonius for the old windbag that he is. Oliver Ford Davies does a brilliant job actually - going off into mumbled asides, or losing the thread of what he's saying.
Things that particularly stood out: the quiet intensity of the graveyard scene where Hamlet's discussing old Yorick, whom he once knew well; the closet scene with Gertrude where David leaps up onto the bed to stand arguing with her; the sword fight with Laertes; the hauntings by the Ghost of old Hamlet; Ophelia's scenes wherein she's mad; Gertrude's reaction to the dumbshow before the play-within-the-play; this exchange between Hamlet and Ophelia:
Hamlet: Lady, shall I lie in your lap?
[Spinning a small footstool by one foot in his right hand]
Ophelia: No, my lord.
Hamlet: I mean, my head upon your lap?
Ophelia: Ay, my lord.
Hamlet: Do you think I meant country matters?
Ophelia: I think nothing, my lord.
Hamlet: That's a fair thought to lie between maids' legs.
- David's Hamlet puts great emphasis on the first syllable of "country" all the while squatting in front of her on hands and heels and thrusting his crotch at her (how any of us in the audience who fancy DT managed to restrain ourselves at that point, I really don't know!); Horatio's final lines to Hamlet: Now cracks a noble heart. Good night sweet prince: / And flights of angels sing thee to thy rest! (which I'm not ashamed to say reduced me to tears).
All in all, this was a fantastic performance from the whole cast and I'm very grateful to have had the chance to see the show live and with my two favourite actors in the lead roles (hooray for early 40th birthday presents!).
It was also great to see the show with londonbeauty001, evilgeniuslady and aria28 - thanks girls, I had a great time!