[where can mass murderers troubled playwrights often be found? Museums, of course. And today, Legato has ventured into the Musée de l'Homme. He is spending hours of his temporary freedom among works of beauty, surrounded by articles of the past.
Eventually, he takes a break and settles down in the cafe, flipping open the journal after ordering
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Even ignoring the modern clothes (and rounded ears), it's obvious that she's not exactly herself. Primarily because she almost walks right by Legato without noticing him.
Almost. But he's not that lucky; she just happened to be passing by as he mused into the journal. She approaches, placing her hands on the empty chair at Legato's table.]
I would think to find you more grateful for even the illusion of freedom.
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Oh, I do hope that I don't seem ungrateful. I am very much enjoying myself here, after all.
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[She can't help it. Her curiosity gets the better of her. She pulls the chair out and seats herself. If he's observant, he might notice that she's just the slightest bit less graceful than usual.]
And how are you adjusting to your newfound limitations? [Does it bother you as much as it bothers her?
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Mm. I wish that I could consider the limitations to be 'newfound' at all.
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You have been here longer than I. Tell me, when the castle resumes its customary form, where shall you be? How great is this gift you have received?
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I suppose I will have to enjoy my days of freedom as if they are my last.
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Though, I don't think it was caging that I was really expecting.
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[All said in a perfectly neutral voice, as if she were discussing the pros and cons of carpooling.]
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Oh, I agree. Though, there are some out there--I'm sure--who would like to cause me more distress than has already been done, and leaving the 'protective' walls of a cell would give them the perfect opportunity.
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Not only human, I assure you.
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Is that so?
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