belmanoir's
excellent post on writing sex for
ds_workshop brought up an interesting point, one that I've been mulling over for the past few days. In the comments to Bel's post,
china_shop linked to
resonant8's
Smut Rants, and one entry in particular caught my eye. Resonant was writing about her
smut pet peeves and said:
"A first-time story is a particular kind of pleasure. A
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Comments 112
thanks for the interesting poll, nos!!!
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I think the specific complaint Res was making when she wrote that entry was about stories that seem like they're FT, but half way through (or near the end) turn out to be ER. That often bugs me too: if it's ER, I want to know that it's ER fairly early on, usually. Otherwise I have a mistaken impression of what's going on, and while the author may enjoy giving the story that twist, I find it distancing as a reader. Most of the time. (Nothing is absolute. :-)
Res also says, in the comments:
What I like -- what I read slash for -- are stories about relationship transitions. About moments when people take a risk, face a fear, overcome resistance and gain a deeper intimacy.
First-time stories are guaranteed to deliver that, just by virtue of being first-times.
You would think established-relationship stories could do that as well, but very few of them do. Mostly they're either basically gen stories ( ... )
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that there needs to be momentum forward in an ER story for it to be more than a PWP -- and that can be surprisingly hard to do, I think.
See, that's interesting! I've heard that from several people who avoid est-rel stories: they're "boring" or "lack momentum" and as a result they prefer first-time fic. I'm not sure it's inherent in the form, but more a signal that the writer didn't have a good basis for the plot, or didn't set up the conflict. And those problems can crop up in first-time fic, but perhaps they're harder to identify because the structure of a first-time story is a bit more forgiving. Hmmm.
I just rarely think of them as dramatic stories; even when there is a transition, there's usually less at stakeI think this is what Res meant by her "lesser" assessment: it's harder to see what's at stake in est-rel stories unless it's the relationship itself, and ( ... )
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I think with FT fic you have a set structure -- the basic romance plot: attraction, doubt, possibly misunderstanding, making a move, acceptance, resolution, sex. ;-) That can be drawn out, and the elements can move around all over the place -- the sex to nearer the beginning, the misunderstanding to later on -- but there is a clear path and we've probably all read enough of them that our subconsciouses can figure that out in a satisfying way in our sleeps.
With ER, you pretty much have to make your own map.
I think the common problems with FTs are different from the problems with ERs, though. With FTs it's more things like a failure to establish the obstacles to getting together, a lack of UST, too much assumption within the story that they're OTP, an improbable/annoying misunderstanding or uncharacteristic failure to communicate, etc ( ... )
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Thanks for your thoughts on this!
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Obviously you can have awesome little domestic snippets about the boys growing old together, and that's wonderful, but if you have an actual non-snippety fic with a plot, you're going to need some tension to keep anyone interested. I think the essential difference in ERs and FTs are where that tension comes from, and what it actually is.
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Well said! I think that's probably why this discussion is ultimately redundant :-) It comes down to individual stories, and those choices and decisions their authors made during the construction stage. I don't think one form is easier to write or inherently has more tension, because (as you point out) it's where that tension comes from and how it's handled that matters. And now my brain hurts *g* And thanks for the kind words about that story!
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Some ER fics do establish tension in other plotlines quite well, but that's not the central conflict I'm looking for. I like first time fic . . . because I like first time fic. Without any other business (ensembles, AUs, casefic, yadda), that's a plot goal I like, you dig?
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You make a good point about why we read slash fanfic. We're here, to a large degree, for the relationship, and even if other plot elements work fine, if the central relationship isn't consummated (or developed) in a satisfying way we're less likely to like the story. So, yes, good acknowledgement of that embedded goal in most slash reading. *nods*
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Of course there are exceptions to everything but generally my decision to read goes like this:
1. slash?
2. a pairing I want to read?
3. not kink/deathfic/wingfic?
4. by a known to be good writer? if not, I will often still give it a chance, especially in dS fandom. And if it's got a lot of comments.
I prefer first times but est. rel is good too. I resist AUs. I'll often read things that ppl rec, even if it's gen. Though I still strongly resist het. I have a strange aversion to "G" rated stories too.
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And why did you find it tough to make your Sentinel story interesting? Does the tension always have to come from that first kiss/first blowjob/first "I love you"?
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