Today's poem:
Rivers and Mountains
On the secret map the assassins
Cloistered, the Moon River was marked
Near the eighteen peaks and the city
Of humiliation and defeat-wan ending
Of the trail among dry, papery leaves
Gray-brown quills like thoughts
In the melodious but vast mass of today's
Writing through fields and swamps
Marked, on the map, with little bunches of weeds.
Certainly squirrels lived in the woods
But devastation and dull sleep still
Hung over the land, quelled
The rioters turned out of sleep in the peace of prisons
Singing on marble factory walls
Deaf consolation of minor tunes that pack
The air with heavy invisible rods
Pent in some sand valley from
Which only quiet walking ever instructs.
The bird flew over and
Sat-there was nothing else to do.
Do not mistake its silence for pride or strength
Or the waterfall for a harbor
Full of light boats that is there
Performing for thousands of people
In clothes some with places to go
Or games. Sometimes over the pillar
Of square stones its impact
Makes a light print.
So going around cities
To get to other places you found
It all on paper but the land
Was made of paper processed
To look like ferns, mud or other
Whose sea unrolled its magic
Distances and then rolled them up
Its secret was only a pocket
After all but some corners are darker
Than these moonless nights spent as on a raft
In the seclusion of a melody heard
As though through trees
And you can never ignite their touch
Long but there were homes
Flung far out near the asperities
Of a sharp, rocky pinnacle
And other collective places
Shadows of vineyards whose wine
Tasted of the forest floor
Fisheries and oyster beds
Tides under the pole
Seminaries of instruction, public
Places for electric light
And the major tax assessment area
Wrinkled on the plan
Of election to public office
Sixty-two years old bath and breakfast
The formal traffic, shadows
To make it not worth joining
After the ox had pulled away the cart.
Your plan was to separate the enemy into two groups
With the razor-edged mountains between.
It worked well on paper
But their camp had grown
To be the mountains and the map
Carefully peeled away and not torn
Was the light, a tender but tough bark
On everything. Fortunately the war was solved
In another way by isolating the two sections
Of the enemy's navy so that the mainland
Warded away the big floating ships.
Light bounced off the ends
Of the small gray waves to tell
Them in the observatory
About the great drama that was being won
To turn off the machinery
And quietly move among the rustic landscape
Scooping snow off the mountains rinsing
The coarser ones that love had
Slowly risen in the night to overflow
Wetting pillow and petal
Determined to place the letter
On the unassassinated president's desk
So that a stamp could reproduce all this
In detail, down to the last autumn leaf
And the affliction of June ride
Slowly out into the sun-blackened landscape.
~John Ashbery
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Dollhouse
I think the last time I was so skeeved out at a television show as I was at last night's episode of Dollhouse, was the SPN episode "Malleus Maleficarum." I think this might have been worse - I was literally queasy at some of it. And I'll tell you what, if they want me to sympathize or empathize with Topher, they are barking up the wrong tree. *shudder*
I've read some thoughtful analyses and defenses of the show, but I just can't get over the fact that you can't use rape as a metaphor for something else without dealing with the fact that it's rape, and the show... doesn't seem to get that. There are flickers of acknowledgement but they get swamped by the sheer exploitativeness of the rest of the show.
And yet, I keep watching, in something like horrified fascination. I don't even know. I will say
that I really missed Reed Diamond's snarky presence. And I might still have to write some snarky contemptuous Dominic/DeWitt porn.
If I can get going on writing anything.
Writing is HARD. *whines*
On the upside, it is gorgeous out. I could live with this weather all year round. Sigh.
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