Edmund's notebook is open, showing a half-made list in the tidy, cramped handwriting of someone who endured any number of penmanship lessons. Every so often he adds another item: Pastels (messy) or Group mural? (ask Tom or Door) or Fingerpainting (messier, but good when they're excited)Mostly, though, he's neglecting this list in favor of
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And, after a few minutes, offers the boy a small smile of greeting.
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"You're a good artist."
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"That's all."
It's not all, but it is a fair bit of it. Natural talent is one thing, but he has sketchbooks upon sketchbooks of clumsy early drawings.
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"Well said. Do you draw?"
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He shrugs, a bit embarassed.
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"Though I suppose you could get paper here, if you liked."
"I'm Edmund," he adds, as an afterthought. "Pevensie."
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And Finn's clothes aren't exactly Narnian, but they're more Narnian than 20th century English. These things have an effect, sometimes, on how old Edmund feels and acts.
"From London -- well, Finchley -- in England, on Earth. Or from Narnia, if you like. Pleased to meet you, Finn."
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"Different worlds. I was born in England, but my siblings and I spent several years in Narnia."
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"Did a mage take you?" Finn asks, with some awe.
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There's a warmth in Edmund's voice and eyes that's rarely there so clearly, when he speaks of Aslan.
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"Not like any lion, you know. Not dumb, and not tame. He's wilder than anything. But utterly good; you've never seen anything half so good."
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