Имя Наума Аронсона сегодня почти неизвестно на его родине, в России.
Оригинал взят у o_p_f в Имя Наума Аронсона сегодня почти неизвестно на его родине, в России.
Кто же такой Наум Львович Аронсон? Сегодня его имя в России почти не вспоминают, но ещё полвека назад оно гремело в мире наряду с именами великих художников.
Naum Aronson Collection
В 1900 году он начинает работу над бюстом Бетховена. В том же году на международной выставке в Париже Аронсон получает вторую золотую медаль. В 1901 году Аронсон едет в Россию к Льву Толстому в Ясную Поляну, он хочет лепить его портрет. Российская тема занимала значительное место в творчестве скульптора. В дальнейшем им были выполнены скульптурные портреты Тургенева, Фета, Л.Андреева, артисток Савиной, Комиссаржевской, балерины Иды Рубинштейн и многие другие.
В 1902 году сорок его скульптур выставляются в Петербурге.
В 1905 в Бонне было торжественное открытие памятника Бетховену, над которым Аронсон работал пять лет.
Наум Аронсон родился в 1872 году в маленьком еврейском местечке Креславка в той части Латвии, которая называлась Латгалией. Теперь бывшее местечко стало городом Креслава.
http://www.spectr.org/2000/024/bass.htm
http://seligman.org.il/kraslava_holocaust.html
http://www.spectr.org/2000/024/bass.htm
Бюст Г. Е. Распутина, 1916 год, находится в Тель-авивском Музее Искусств
View of the studio of sculptor Naum Aronson.
Biography
Naum Lvovich Aronson (1872-1943), Russian-Jewish sculptor known for his portraits, monuments, and busts of prominent political and scientific figures, including Louis Pasteur, Spartacus, Rasputin, and George Washington. Born in Kreslavka, Russia (now Latvia) to a prosperous, observant Jewish family with 10 children, Aronson began sculpting at an early age. When he was 16 years old, Aronson left home to attend the drawing school of Ivan Trutnev in Vilnius, but he returned home after 10 months due to his encounters with anti-Semitism. Subsequently, he decided to move to Paris. Although his parents were not supportive of his plan, Aronson left for the French capital in 1891. To support himself, Aronson began selling his carved marble pieces. He attended the Ecole des Arts Decoratifs for a year while also studying at the studio of Professor H. Lemaire and at the Colarossi private art school. [According to some sources, while in Paris, Aronson befriended the sculptor, Auguste Rodin, and began working with him.] It is known that Aronson admired the works of Michelangelo and Rodin, and their influence is apparent in his earlier works. His art was also influenced by his Jewish background. Many of his sculptures depict Jewish and Biblical figures. In 1894, Aronson decided to return to Russia and join the army. Two years later he was back in Paris and picked up his career where he had left it. In 1897, his works started to be exhibited on a regular basis at the Salon du Champs de Mars, and soon he was invited to join the Salon's jury. His growing reputation led to the exhibition of his art at the International Art Fair, Exposition Universelle in 1900. Aronson's works were also displayed in Russia, and the artist made many visits to his homeland to supervise the installation of his sculptures. He also participated in a design contest for a monument to Mikhail Glinka in St. Petersburg. Aronson felt a close connection to the Russian people and culture, but anti-Semitism kept him from returning permanently. Following the German occupation of France, Aronson and his wife emigrated to the U.S. in 1940. He settled in New York, where he was treated with warmth and respect, remaining there
https://www.google.co.il/search?q=Naums+%C4%80ronson&source=lnms&tbm=isch&sa=X&ei=aAQ7UuSfN8qX7QaTxIDQAg&ved=0CAcQ_AUoAQ&biw=1920&bih=908&dpr=1#q=naum+aronson&tbm=isch
Naum Aronson
Russian, 1872-1943
RUSS
1872-1943
A YOUNG GIRL BY THE ROCKSsigned and dated indistictly: N Aronson 05
white marble
70cm., 27½in.
Кто же такой Наум Львович Аронсон? Сегодня его имя в России почти не вспоминают, но ещё полвека назад оно гремело в мире наряду с именами великих художников.
Naum Aronson Collection
В 1900 году он начинает работу над бюстом Бетховена. В том же году на международной выставке в Париже Аронсон получает вторую золотую медаль. В 1901 году Аронсон едет в Россию к Льву Толстому в Ясную Поляну, он хочет лепить его портрет. Российская тема занимала значительное место в творчестве скульптора. В дальнейшем им были выполнены скульптурные портреты Тургенева, Фета, Л.Андреева, артисток Савиной, Комиссаржевской, балерины Иды Рубинштейн и многие другие.
В 1902 году сорок его скульптур выставляются в Петербурге.
В 1905 в Бонне было торжественное открытие памятника Бетховену, над которым Аронсон работал пять лет.
Наум Аронсон родился в 1872 году в маленьком еврейском местечке Креславка в той части Латвии, которая называлась Латгалией. Теперь бывшее местечко стало городом Креслава.
http://www.spectr.org/2000/024/bass.htm
http://seligman.org.il/kraslava_holocaust.html
http://www.spectr.org/2000/024/bass.htm
Бюст Г. Е. Распутина, 1916 год, находится в Тель-авивском Музее Искусств
View of the studio of sculptor Naum Aronson.
Biography
Naum Lvovich Aronson (1872-1943), Russian-Jewish sculptor known for his portraits, monuments, and busts of prominent political and scientific figures, including Louis Pasteur, Spartacus, Rasputin, and George Washington. Born in Kreslavka, Russia (now Latvia) to a prosperous, observant Jewish family with 10 children, Aronson began sculpting at an early age. When he was 16 years old, Aronson left home to attend the drawing school of Ivan Trutnev in Vilnius, but he returned home after 10 months due to his encounters with anti-Semitism. Subsequently, he decided to move to Paris. Although his parents were not supportive of his plan, Aronson left for the French capital in 1891. To support himself, Aronson began selling his carved marble pieces. He attended the Ecole des Arts Decoratifs for a year while also studying at the studio of Professor H. Lemaire and at the Colarossi private art school. [According to some sources, while in Paris, Aronson befriended the sculptor, Auguste Rodin, and began working with him.] It is known that Aronson admired the works of Michelangelo and Rodin, and their influence is apparent in his earlier works. His art was also influenced by his Jewish background. Many of his sculptures depict Jewish and Biblical figures. In 1894, Aronson decided to return to Russia and join the army. Two years later he was back in Paris and picked up his career where he had left it. In 1897, his works started to be exhibited on a regular basis at the Salon du Champs de Mars, and soon he was invited to join the Salon's jury. His growing reputation led to the exhibition of his art at the International Art Fair, Exposition Universelle in 1900. Aronson's works were also displayed in Russia, and the artist made many visits to his homeland to supervise the installation of his sculptures. He also participated in a design contest for a monument to Mikhail Glinka in St. Petersburg. Aronson felt a close connection to the Russian people and culture, but anti-Semitism kept him from returning permanently. Following the German occupation of France, Aronson and his wife emigrated to the U.S. in 1940. He settled in New York, where he was treated with warmth and respect, remaining there
https://www.google.co.il/search?q=Naums+%C4%80ronson&source=lnms&tbm=isch&sa=X&ei=aAQ7UuSfN8qX7QaTxIDQAg&ved=0CAcQ_AUoAQ&biw=1920&bih=908&dpr=1#q=naum+aronson&tbm=isch
Naum Aronson
Russian, 1872-1943
RUSS
1872-1943
A YOUNG GIRL BY THE ROCKSsigned and dated indistictly: N Aronson 05
white marble
70cm., 27½in.