I will attempt to draw you into this narrative moment: It’s incredibly warm today, a Kansas warmth, warmth that is almost airless. On the corner across from our building, the hirsute, nonverbal saxaphonist has taken up his usual place; he fills the street with his sort of ambient sacharine interpolations, playing familiar tunes with a dawdling
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I've been meaning to comment more in your journal, especially given your explicit request for feedback when you posted a poem recently. But I've hesitated because there is something defensive about your stance.
Here you've characterized a woman with words like "feeble-minded", "stupidity" "dumb". And what was her crime? To say that she'll miss your friend. To have dyed blond hair? You criticize her for her false sympathy with regard to your friend's father's illness, but you (the narrator, at any rate) show very little sympathy for any suffering she may have gone through in her life. Am I supposed to prefer the narrator's mocking antipathy to her flawed sympathy ( ... )
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She makes lewd comments at random intervals. She told my former roommate P.J. (who Brandon and I got a job at the hotel) that she would warm up his balls one cold Saturday morning. She loses her keys every other day, fucks up nearly every room service order she's ever taken, and gets angry at others for doing their own job and neglecting to do hers as well.This is the kind of detail I felt was missing from the initial post. These few simple sentences are very helpful. You say you have no desire to explore Brenda as a character, but the fact is the entire post was centered on her. You kept mentioning this Brenda and how stupid she was so at one point, the reader wonders, "who is Brenda, anyway? And what makes you think she's stupid ( ... )
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