I have my first final tomorrow, Medieval Philsophy, Which is the definition of a mindfuck. If I have to read any more about perfection and degrees of belief and the difference between essence and existence and dialectic versus rhetorical learningand intelligent design and a million other abstract theories that have no other application except to
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I saw two of the movies you talked about.
You should add Ultra Violet to the worst movies of the year. I know it just came out this year, but the suckiness was so immense that I'm sure a little bit of it leaked out into last year.
<3
M Martin
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Case and point: I'm loving the hell out of my Calculus class right now and hating the on-line music appreciation class I'm taking.
Anyway, congrats on waiting 3 1/2 months and making a list that's identical to every other 2005 list I read, Joel.
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Rather than having the atrocities HE commited fill his thoughts, he has visions of the original violence that he was hired to enact vengence on. Not only is this completely unrealistic (he wasn't there, how can he have such an accurate account of the events drilled into his mind?) but it makes no sense: if anything, seeing the horrors of the original munich killings would help assuage him, convince him that what he did was justified. It wouldn't drive him even crazier.
You could say something about the universality of violence, how no one is innocent in anything. I think it was Spielberg getting lazy while searching for a way to callback to the beginning of the movie.
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If the ghost whispering scene had the point you say it had, then I sure as hell didn't see it. In that case, I don't think my belief that the scene was poorly written has been disproved.
I agree with you that the movie tricked the audience brilliantly. Like I said, the plot was superb. I still think there were a lot of times where the dialogue and acting seemed stilted, awkward. Where it was just too obvious. These awkward scenes seem to be a calling card of Woody's movies as of late.
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-Scott
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