There are some difficult emotional things going on in my life right now. I'll still be around and talking about fandom, because fandom is a happiness and a comfort for me. But I may be a bit flaky for a while. Your patience is appreciated if I, for example, fail to answer your comment promptly (or at all). I don't plan on that, because I want to
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The only thing that I was able to do was lay in bed, unable to even eat or drink because the pain was sooo bad I'd throw up if I even tried to move, so I was stuck on my side, looking at nothing (I still have the hip pain but am now able to sit up without much pain, but I am unable to walk or stand).
Till I remembered that I had just found (and downloaded) Tintin et le mystère de la Toison d'Or (with English subs, much to my French mother and maternal grandmother's disappointment, I never got the hang of my 'native' tongue), and watched it.
Having read the Tintin books from when I was a very (VERY) little girl (probably the first books I ever read, besides the Bible and C.S. Lewis' Narnia), I fell in love with them, but never really thought about the dynamics of Tintin and Haddock's relationship (I can claim perfect childhood innocence for that), until I read your posts and started to think about it.
And after watching the film a few times (once with my mother who laughed at the Dupont et Dupond's), I really started to make note of Tintin's reactions to Haddock, and the number of times he looked at Haddock with what I can only describe as a fondly adoring look, well I lost count. But that could just be me.
And, I like most folk not privileged enough to live in Europe, are eagerly awaiting the new film. Oh, and @yorda, I think we have the Great Moff (Steven Moffat) to thank for most of the interactions between Tintin and Haddock, even though he was unfortunately unable to complete the final draft of the screenplay before he was called back to take on Dr Who and BBC Sherlock (both VERY noble causes) and another reason why I am sooo looking forward to the film.
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The new film has some amazing people attached to it (such as Moffat), and that plus that good reviews from Europe are giving me hope. I'm not a huge Spielberg fan--his sentimentality grates on me--but it sounds like his influence was muted by the other talents.
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Mind you, after seeing him in those (incredibly) short (blue!) shorts, I can understand that he was quite fit. (One does have to wonder WHY he got those particular shorts, and IF he got them for a particular purpose...)
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In that film, given the way Tintin was played, I can believe he acquired those shorts just to provoke the captain . . .
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