At this point, I seriously wonder if Tim Burton just runs his movie through a run-macro program:
PERIOD SETTING AND/OR BASED ON PREEXISTING WORK, Y/N = REGARDLESS, FILTER THROUGH SPOOKY GOTHIC VISUALS + DRUG-INDUCED ANIMATION CAST = JOHNNY DEPP + DISTURBINGLY PALE WAIF, REGARDLESS OF WHETHER THEY FIT ON NOT, + LISA MARIE HAHAHAHA SORRY HELENA BONHAM CARTER SOUNDTRACK = DANNY ELFMAN DOING THE MERRY-GO-ROUND-FROM-HELL MUSIC YET AGAIN
...Point. But she looks particularly balljointian here - and worse, the CGI makes her alien forehead look like it's full of Jell-O. That shit is moving.
Yes, which is kind of my point - when the technology grows advanced enough that it allows you to literally imprint your own imagination directly onto the screen, with almost nothing lost in translation, then the resultant fault lies not in the stars CGI, but in the selves of those who use it.
PERIOD SETTING AND/OR BASED ON PREEXISTING WORK, Y/N = REGARDLESS, FILTER THROUGH SPOOKY GOTHIC VISUALS + DRUG-INDUCED ANIMATION
CAST = JOHNNY DEPP + DISTURBINGLY PALE WAIF, REGARDLESS OF WHETHER THEY FIT ON NOT, + LISA MARIE HAHAHAHA SORRY HELENA BONHAM CARTER
SOUNDTRACK = DANNY ELFMAN DOING THE MERRY-GO-ROUND-FROM-HELL MUSIC YET AGAIN
Reply
Reply
Reply
Reply
Reply
Reply
Reply
Reply
Reply
Leave a comment