YT. Захарова-Уваров-девочки: "Пахита"
The Bolshoi Ballet - "Paquita" Grand pas classique w/ Zakharova -6/6
mrlopez2681 - http://www.youtube.com/watch?v=E-mWwwSsiwk&feature=player_embedded
6/6 of Yuri Burlaka's reconstruction of the Grand Pas classique from "Paquita" for the Bolshoi Ballet. November 17, 2008. Moscow, Russia.
Thanks to my piano reduction of this music & my obsession with balletic archaeology, I have identified the origins of all of these beloved pieces -
1. Variation danced by Svetlana Zakharova . Music by Ludwig Minkus (1881). Variation for Ekaterina Vazem. This is the bonafied original variation for the lead ballerina of the pas.
2. Variation danced by Adrei Uvarov. Music by Riccardo Drigo (1902). This is the male variation written by Drigo for the Ballet Master Achille Coppini's 1902 staging of the ballet "La Source" for the Imperial Ballet. The choreography is by Leonid Lavrovsky.
3. Coda générale (the coda has been restored both choreographically & musically, but I'm pretty sure that Burlaka added in the passages for the children & the danseur's tours à la seconde)
Не слышу, только вижу - но наслаждаюсь все равно))
Click to viewmrlopez2681 - http://www.youtube.com/watch?v=E-mWwwSsiwk&feature=player_embedded
6/6 of Yuri Burlaka's reconstruction of the Grand Pas classique from "Paquita" for the Bolshoi Ballet. November 17, 2008. Moscow, Russia.
Thanks to my piano reduction of this music & my obsession with balletic archaeology, I have identified the origins of all of these beloved pieces -
1. Variation danced by Svetlana Zakharova . Music by Ludwig Minkus (1881). Variation for Ekaterina Vazem. This is the bonafied original variation for the lead ballerina of the pas.
2. Variation danced by Adrei Uvarov. Music by Riccardo Drigo (1902). This is the male variation written by Drigo for the Ballet Master Achille Coppini's 1902 staging of the ballet "La Source" for the Imperial Ballet. The choreography is by Leonid Lavrovsky.
3. Coda générale (the coda has been restored both choreographically & musically, but I'm pretty sure that Burlaka added in the passages for the children & the danseur's tours à la seconde)
Не слышу, только вижу - но наслаждаюсь все равно))