I don't think the adaptation of an overtly metafictional novel is ever completely successful, at least in the eyes of those familiar with the original. A movie that I personally consider to be one of the best adaptations of a novel, The English Patient, succeeds as a movie because it had the courage to BE a movie, to abandon any attempt to capture
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And although the movie of The French Lieutenant's Woman failed for other reasons, Pinter did quite a good job of attempting to capture the metafictional aspects of the book. We missed having John Fowles sitting in the railway carriage with Charles and Sarah, though :)
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