I don't think the adaptation of an overtly metafictional novel is ever completely successful, at least in the eyes of those familiar with the original. A movie that I personally consider to be one of the best adaptations of a novel, The English Patient, succeeds as a movie because it had the courage to BE a movie, to abandon any attempt to capture
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Speaking of metafictional novels (if it's right to use that term for this novel)--have you read Possession, and if so, what did you think? That's one that I think must translate poorly to the screen (I know a movie's been made, but I haven't seen it.)
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And yes, I loved Possession and saw the movie, which was disappointing. Actually the Victorian bits in the movie were more interesting than the present day story.
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And although the movie of The French Lieutenant's Woman failed for other reasons, Pinter did quite a good job of attempting to capture the metafictional aspects of the book. We missed having John Fowles sitting in the railway carriage with Charles and Sarah, though :)
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