I wonder if Eden knows the Petrellis have powers. She's got to, right? I mean, they're high up in the company. But her backstory indicates she doesn't know much about the Company.
I adore Simone's honesty about her feelings about Peter and Isaac. They've got to be horribly complex. I like her more and more as a character every rewatch. There's a painting of Uluru in the background. By implication with the dialogue, that's stuff he painted while he wasn't high.
That poor high roller! Really, the dynamic duo should have stuck to ... um ... that rolling ball table thingy, whatever it's called.
I notice Peter rides the subway without hanging onto things constantly. Having ridden on a subway, I find that indicative of an excellent sense of balance.
Can't Peter and Mohinder see Isaac in there? Of course, that's not necessary helpful, if Isaac absolutely refuses to be interrupted.
Nathan just totally jumped at Niki, like all it took was the idea she was there alone. He jumped on that like a dog after a bone. And here he is exploring for details of her attachment, complimenting her beauty, and making his moves. I'll grant that he stops the moment she says, "I can't," but he definitely doesn't back off. He just ... doesn't do more. So he's a dog, just not a rapey one. And he is all about it when she changes her mind.
To be fair, that subway is barely rocking. It's not safe to ride one without hands, but it can be done (at times).
I remember being surprised that Nathan was either forming or trying to form some kind of honest realtionship (quick though he knew it would be). He can definitely live with any regrets and he expects anyone he's with to do the same and not pester him after. He's still disgustingly shallow that I wouldn't go near him. Typical guy - the girl goes from "I can't, thanks" to "let me put on a show for you and do all the work" and he doesn't bat an eye.
I adore Simone's honesty about her feelings about Peter and Isaac. They've got to be horribly complex. I like her more and more as a character every rewatch. There's a painting of Uluru in the background. By implication with the dialogue, that's stuff he painted while he wasn't high.
That poor high roller! Really, the dynamic duo should have stuck to ... um ... that rolling ball table thingy, whatever it's called.
I notice Peter rides the subway without hanging onto things constantly. Having ridden on a subway, I find that indicative of an excellent sense of balance.
Can't Peter and Mohinder see Isaac in there? Of course, that's not necessary helpful, if Isaac absolutely refuses to be interrupted.
Nathan just totally jumped at Niki, like all it took was the idea she was there alone. He jumped on that like a dog after a bone. And here he is exploring for details of her attachment, complimenting her beauty, and making his moves. I'll grant that he stops the moment she says, "I can't," but he definitely doesn't back off. He just ... doesn't do more. So he's a dog, just not a rapey one. And he is all about it when she changes her mind.
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To be fair, that subway is barely rocking. It's not safe to ride one without hands, but it can be done (at times).
I remember being surprised that Nathan was either forming or trying to form some kind of honest realtionship (quick though he knew it would be). He can definitely live with any regrets and he expects anyone he's with to do the same and not pester him after. He's still disgustingly shallow that I wouldn't go near him. Typical guy - the girl goes from "I can't, thanks" to "let me put on a show for you and do all the work" and he doesn't bat an eye.
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