Four ayem basked in utter surrealality, saturated with the echoes of the roleplay scene I'd just finished (Rhineland mysticism, Templar agents and Illuminati spies, skinheads and two briefcases full of heroin), a lunatic political screed from a conspiracy nut Trump supporter following me on Facebook (Why?), and the first few minutes of Rodgers and ( Read more... )

George Kennedy is dead. He appeared in very many of my favorite films, but, for me, his role as Dragline in Cool Hand Luke, (dir. Stuart Rosenberg, 1967) will always be the quintessential George Kennedy performance ( Read more... )