1. I don't care whether Ma Sang Tae killed that guy 15 years ago or not, he is a freaking awesome father and I love him. If In Woo's machinations land him in jail, I won't forgive IW. I don't care about his justification and all. But I still don't believe he is a murderer - he is a lousy husband (even if a great father) and an unethical businessman but a murderer he is not - not on purpose at least. And it's nice to know whatever else he didn't frame In Woo's father - he just falsified his own alibi and that led to IW's father conviction.
2. How much do I love that there is no love triangle. I so appreciate that I have never got a romantic vibe from Jenny, In Woo's friend - all her reactions, even her dislike of Hyeri, read as reactions of a close friend. She dislikes Hyeri because she is the daughter of MST who caused all that trouble for IW and because she is making IW conflicted, but I do not see even a hint of jealousy there.
3. In Woo, oh In Woo, what shall we do with you? He is the most fascinating character in this - he makes me so torn. Half the time I want to make it all better and adore him and the other half I want to stab him in the face.
I remain convinced that PP came about when someone wondered "how would it be if we made Mawang into a romantic comedy?" (For a kdrama defition of comedy - i.e. more tears than an Elizabethan tragedy, just with a happy ending). And that is why I am so torn on shipping him with Hyeri. It's the same reaction I had for Joo Ji Hoon and Shin Min Ah's characters in Mawang - I adored them so much, all that torment and restraint, but I couldn't ultimately sign off on them in any long-term way because JJH was simply too broken. And I get the same thing here with In Woo/Hyeri. I adore them together but no - no. No. It's not workable. He's simply too messed up for a functional relationship - what he needs is a decade of therapy before he can be in a romantic relationship that works. And while in some ways In Woo is better off than the protagonist of Mawang (he has not caused deaths of anyone), in another way, he is much worse. In Mawang, JJH's relationship with SMA was the most healing thing in his life - she was not connected with the badness of his past at all - in fact she tried to help even when they were kids. If fate left them alone, who knows, she may have healed him eventually, with enough time and peace. But Hyeri is no external angel of any sort - she is the daughter of the man who as good as killed In Woo's parents in front of his eyes. That relationship wouldn't be healing, it will be a flaming trainwreck - they will end up in a psychiatric unit. Hyeri's loving heart or not, I cannot see her being with a man who put her loved father in jail (and there is the residual familial guilt mixed in) and for In Woo - the same - no matter what, she is still Ma Sang Tae's daughter. It's as if in Mawang, Uhm Tae Woong had a sister and Joo Ji Hoon fell in love with her. Total trainwreck.
That is why I keep thinking Ma Sang Tae isn't really a deliberate murderer - because unless the writer is insane, PP will have a happy ending and not a Mawang one. (Though even then, honestly, I still think In Woo needs MAJOR therapy. This is one drama that needs a time jump). I think it would be lovely if MST is innocent of the murder - it will teach In Woo to use people and jump to conlcusions. Just as I loved that he had to promise Ma Sang Tae to leave Hyeri in exchange for MST confessing - now he has to pay with something he greatly desires too. In fact, when he offered MST choice between past and future (i.e. he can protect his past and hide the murder or he can protect his future -i.e. Hyeri - In Woo will disappear out of Hyeri's life in exchange for a confession), he has the same choice - his past - the memory of his dead father cleared, or his future - letting go of past hurt and chosing to be happy with Hyeri. Ma Sang Tae chose the future and In Woo chose the past. Which just goes to show that whatever his faults Ma Sang Tae is way better adjusted and with knowledge of priorities than In Woo. I felt like screaming at the screen during that scene - sure clearing Daddy's name is praiseworthy, but the man is dead, it makes no difference to him, so how can you pick the dead against chance of present happiness? (The same I felt in Mawang and many revenge dramas. It's different with something like Green Rose, where protagonist is trying to clear his own name, but when it's just the dead people's honor, I want to shake the avenger and tell him to snap out of it and actually live).
4. Serious Prosecutor and Lady Prosecutor bore me. I am glad they will get together but they are sort of dull.
ETA: Because this reminded me of my undying love for Mawang, have a shippy MV:
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