happiest girl ever.
I am floating on a cloud of mesmerizing bliss.
which is funny because I have so, so much work to get through this week. But it is all super positive, work I love to do... I am so blessed, with so many good things, and so many wonderful people in my life.
I just met Mary, here at pnca, who works in the financial aid office. she used to be heavily involved in a gallery, and may be interested in guest curating a show. I could definitely see working with her, and it would be nice to extend the curatorial opportunity to someone. of course, [black kitty] is also on my list for this. Ralph Bentley helped me with Buck Braden's show this time, which was nice. He has a pretty good curatorial eye from what I can see.
I went crazy with Buck's show and included much work that I think needs to be seen. It is more at this point about having it seen than showing everything that is specific to my own aesthetic. I respect Buck as a painter and enjoy seeing the development of his work over time, both technically and conceptually. It rides the fine line between offensive objectification of women and not. It doesn't bug me though... I don't let it get under my skin. I like what he plays with in regards to composition, and I like the theatricality present in the work. The costuming of the figures I think is particularly engaging, and the spiritual components that he plays with, more so than his nude studies. To criticize I would say he needs to let go, past a certain point, let the paint breathe more as paint, loosen up gesturally on the expression and execution of the faces and bodies. Some things to me feel overworked, others feel true to the nature of who Buck is and what he likes. He seems to just really enjoy that meticulous quality, small refined brush strokes, use of perspective, linearity, architectural components... I could see him being a great iconographer, because the skill that he showcases through his work is similar to that which is needed as an iconographer, where each brushstroke must be so controlled. There is a balance between the "ego" and Divinity - transcending the worldly, the physical, and the self. I would love to see Buck experiment with these things. I however also do appreciate his respect of women and love for not only the sensual and physical attributes but women in their depth beyond that. Personal relationships also seem very important to him. There is a special relationship that occurs between the artist and model; I have experienced this both ways. I always find it a positive experience to model for Buck - it seems like more of a privilege and honor - I feel appreciated, supported, listened to in our conversations, even pampered and depicted in a respectful and beautiful way. He's such a great friend and mentor in many ways when it comes to the world and relationships especially. We have had countless conversations about love and I confide so many things in him. I'm so excited for his show because it is a great feeling to support him and his art. I hope the show is a catalyst to discussion and also I do hope that the number of collectors of his work continues to increase. People are collecting his work left and right, and I am happy to be a part of the whole thing. I hope that there's a good turnout on Thursday. I think there will be.... have to keep promoting it.... sigh.... so much work to do.... and tonite is the install....
---
oh man the whole pnca/money thing is so gutwrenching right now but actually: miracles: I have more financial aid available than I thought! And there are only the 6 credits that I need and then I am DONE with the BFA in Painting - long time coming! But happiness. I also have to start making strides soon towards the MFA if I choose to do it. I'm not sure, and not sure where. It may be something that I postpone until later on, but I don't want to put it off for too long.
I'm really excited to be back at PNCA, actually. I'm very happy about it and feel very thankful that it is all working out! Thank God. Also - am SO happy to have a studio again, starting in January. I'm counting down the days. It means I can actually paint again in the scale that I want, no matter really how big since there are high ceilings and all of that, and all night access.... *huge sigh of relief*... plus not having to worry about the roommates, not having to be quiet, able to be messy!, and experimental, etc.! The thesis program has changed, however, so that will be challenging. And David Ritchie, is quite challenging as an instructor; he's the one I have for thesis writing/research. I am super excited. Buzzing. Elated.
But I think that is mostly due to the amazing man in my life: Richard.
He's so wonderful. I am so happy. I'm not sure if he will read this or not....
If you are reading this, Richard - I love you!
:)
Definitely, definitely a happy girl.
OH! And I didn't even embark on last night's events. A Thanksgiving-style dinner at Justin Oswald's house. A magical evening. Piano performances starring Richard (passionate, wonderful!.... not to mention technically well realized and executed!)and Justin's performance of "The Rose" which was truly great - charismatic, warm, fun, and playful. To be continued....
Caro Mio Ben is the best when practiced in the kitchen, scribbled on a napkin, and improvised in a duet with Richard and I singing, with him playing the piano. Then we led everyone into Christmas carols....
*happy peaceful & content*
even through this crazy, crazy week.... but our craziness sort of mirrors one another, is complementary!
AND we did yoga together in his living room - we went through the 1st & 2nd salute to the sun sequences... he even helped me do a tipsy headstand. :)
and Chico's singing.... :D - I love it. A little (well, very) distracting, but.... so cute nonetheless.
lj vortex I am pulling myself out of you!!!!
which is funny because I have so, so much work to get through this week. But it is all super positive, work I love to do... I am so blessed, with so many good things, and so many wonderful people in my life.
I just met Mary, here at pnca, who works in the financial aid office. she used to be heavily involved in a gallery, and may be interested in guest curating a show. I could definitely see working with her, and it would be nice to extend the curatorial opportunity to someone. of course, [black kitty] is also on my list for this. Ralph Bentley helped me with Buck Braden's show this time, which was nice. He has a pretty good curatorial eye from what I can see.
I went crazy with Buck's show and included much work that I think needs to be seen. It is more at this point about having it seen than showing everything that is specific to my own aesthetic. I respect Buck as a painter and enjoy seeing the development of his work over time, both technically and conceptually. It rides the fine line between offensive objectification of women and not. It doesn't bug me though... I don't let it get under my skin. I like what he plays with in regards to composition, and I like the theatricality present in the work. The costuming of the figures I think is particularly engaging, and the spiritual components that he plays with, more so than his nude studies. To criticize I would say he needs to let go, past a certain point, let the paint breathe more as paint, loosen up gesturally on the expression and execution of the faces and bodies. Some things to me feel overworked, others feel true to the nature of who Buck is and what he likes. He seems to just really enjoy that meticulous quality, small refined brush strokes, use of perspective, linearity, architectural components... I could see him being a great iconographer, because the skill that he showcases through his work is similar to that which is needed as an iconographer, where each brushstroke must be so controlled. There is a balance between the "ego" and Divinity - transcending the worldly, the physical, and the self. I would love to see Buck experiment with these things. I however also do appreciate his respect of women and love for not only the sensual and physical attributes but women in their depth beyond that. Personal relationships also seem very important to him. There is a special relationship that occurs between the artist and model; I have experienced this both ways. I always find it a positive experience to model for Buck - it seems like more of a privilege and honor - I feel appreciated, supported, listened to in our conversations, even pampered and depicted in a respectful and beautiful way. He's such a great friend and mentor in many ways when it comes to the world and relationships especially. We have had countless conversations about love and I confide so many things in him. I'm so excited for his show because it is a great feeling to support him and his art. I hope the show is a catalyst to discussion and also I do hope that the number of collectors of his work continues to increase. People are collecting his work left and right, and I am happy to be a part of the whole thing. I hope that there's a good turnout on Thursday. I think there will be.... have to keep promoting it.... sigh.... so much work to do.... and tonite is the install....
---
oh man the whole pnca/money thing is so gutwrenching right now but actually: miracles: I have more financial aid available than I thought! And there are only the 6 credits that I need and then I am DONE with the BFA in Painting - long time coming! But happiness. I also have to start making strides soon towards the MFA if I choose to do it. I'm not sure, and not sure where. It may be something that I postpone until later on, but I don't want to put it off for too long.
I'm really excited to be back at PNCA, actually. I'm very happy about it and feel very thankful that it is all working out! Thank God. Also - am SO happy to have a studio again, starting in January. I'm counting down the days. It means I can actually paint again in the scale that I want, no matter really how big since there are high ceilings and all of that, and all night access.... *huge sigh of relief*... plus not having to worry about the roommates, not having to be quiet, able to be messy!, and experimental, etc.! The thesis program has changed, however, so that will be challenging. And David Ritchie, is quite challenging as an instructor; he's the one I have for thesis writing/research. I am super excited. Buzzing. Elated.
But I think that is mostly due to the amazing man in my life: Richard.
He's so wonderful. I am so happy. I'm not sure if he will read this or not....
If you are reading this, Richard - I love you!
:)
Definitely, definitely a happy girl.
OH! And I didn't even embark on last night's events. A Thanksgiving-style dinner at Justin Oswald's house. A magical evening. Piano performances starring Richard (passionate, wonderful!.... not to mention technically well realized and executed!)and Justin's performance of "The Rose" which was truly great - charismatic, warm, fun, and playful. To be continued....
Caro Mio Ben is the best when practiced in the kitchen, scribbled on a napkin, and improvised in a duet with Richard and I singing, with him playing the piano. Then we led everyone into Christmas carols....
*happy peaceful & content*
even through this crazy, crazy week.... but our craziness sort of mirrors one another, is complementary!
AND we did yoga together in his living room - we went through the 1st & 2nd salute to the sun sequences... he even helped me do a tipsy headstand. :)
and Chico's singing.... :D - I love it. A little (well, very) distracting, but.... so cute nonetheless.
lj vortex I am pulling myself out of you!!!!