Gregory Myers. Kondakarnoie Pienie (2009)
Вышла книга известного канадского исследователя, в которой он подвел итог своим 20-летним исследованиям в области кондакарного пения:
Gregory Myers. A Historical, Liturgical and Musical Exploration of Kondakarnoie Pienie: The Deciphering of a Medieval Slavic Enigma. Sofia, 2009.
Сам подход к проблеме и работа с источниками впечатляют. Автор вплотную подходит к расшифровке кондакарного пения, опираясь на строгие методы и наиболее широкий из привлекавшихся на сегодня круг источников
Содержание:
Part I
Introduction ---5
Chapter 1. Medieval Rus' and the Early Russian Church: A History in Brief---9
Chapter 2. Cultural Development in Rus' - Music---12
Chapter 3. The hermeneutics of Kondakarnoie Pienie; the Chants and the Musical Notation---16
Part II
Chapter 4. Liturgy and Typikon; The Studite Typikon of Partiarch Alexis in the Slavic Lands; Musical Manuscripts in the Studite Orbit --27
Chapter 5. Sources of the Alexian-Studite Typikon in Rus'---32
Chapter 6. Musical Sources in the Studite Liturgical Orbit---44
Chapter 7. The Development of Early Russian Chant under the Hegemony of the Alexian-Studite Ordo---62
Chapter 8. Issues of Paleography; the Notational Systems and Chant Construction and Transmission ---77
Part III
Chapter 9. Transcription and Analyses; The Comparable hymns---101
1. The Feast of the Exaltation on the Honorable Cross---104
2. The Feast of the Dormition of the Theotokos---135
3. Modeling: Two Samples of Kondakarnoie Pienie as Possible Original Slavic Hymnody: Chants of the Archangel Michael and the Incorporeal Host---140
Part IV
Chapter 10. Transition and Reform - disappearance or Survival-Continuation? Music in the Wake of Liturgical Reform: Music and the New Ordo---155
Conclusions---165
Appendices---(транскрипции, иллюстрирующие 9 главу)---172
Gregory Myers. A Historical, Liturgical and Musical Exploration of Kondakarnoie Pienie: The Deciphering of a Medieval Slavic Enigma. Sofia, 2009.
Сам подход к проблеме и работа с источниками впечатляют. Автор вплотную подходит к расшифровке кондакарного пения, опираясь на строгие методы и наиболее широкий из привлекавшихся на сегодня круг источников
Содержание:
Part I
Introduction ---5
Chapter 1. Medieval Rus' and the Early Russian Church: A History in Brief---9
Chapter 2. Cultural Development in Rus' - Music---12
Chapter 3. The hermeneutics of Kondakarnoie Pienie; the Chants and the Musical Notation---16
Part II
Chapter 4. Liturgy and Typikon; The Studite Typikon of Partiarch Alexis in the Slavic Lands; Musical Manuscripts in the Studite Orbit --27
Chapter 5. Sources of the Alexian-Studite Typikon in Rus'---32
Chapter 6. Musical Sources in the Studite Liturgical Orbit---44
Chapter 7. The Development of Early Russian Chant under the Hegemony of the Alexian-Studite Ordo---62
Chapter 8. Issues of Paleography; the Notational Systems and Chant Construction and Transmission ---77
Part III
Chapter 9. Transcription and Analyses; The Comparable hymns---101
1. The Feast of the Exaltation on the Honorable Cross---104
2. The Feast of the Dormition of the Theotokos---135
3. Modeling: Two Samples of Kondakarnoie Pienie as Possible Original Slavic Hymnody: Chants of the Archangel Michael and the Incorporeal Host---140
Part IV
Chapter 10. Transition and Reform - disappearance or Survival-Continuation? Music in the Wake of Liturgical Reform: Music and the New Ordo---155
Conclusions---165
Appendices---(транскрипции, иллюстрирующие 9 главу)---172