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seaux - i thought i was going to get out of that meeting and be able to run directly to my computer and tell all of you what will be included on my masters recital... but i can't. and it's all my fault. we have the entire thing planned - EXCEPT - i have to decide between two pieces.... and all of you are going to help me.... i hope
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does this fill a hole? yes. the most important of which is an aesthetic hole... i have no real emotional attachment to any of the other pieces - nor can you, really. Drednought is a groovy piece that constantly goes between 3/4 and 11/16 and is quite minimalistic. Four Scottish is nice, but i dont think anyone's heart bleeds for it. Sweelinck Variations is a very nice piece and well written - probably one of the best transcriptions for band from that time period, but again... nothing to cling onto. what TD likes most about the maslanka is the fullfilment it would give to me... it's a piece that i can, and have, latched onto.
taxation on the players? no. this would be the only piece i would do with the 2nd wind ensemble at UWM. Drednought and Four Scottish are with the youth group and Sweelinck is with the Wind Ensemble.
quality recording? i think it would be. one thing that kinda made me apprehensive was listening to the only recording TD had of it - Illinois State University. OUCH! it was absolutely HEINOUS. saxophones from hell... and i told him "i dont want to do it if you don't believe we will do an amazing job on it. i don't want it to sound like that." he assured me it would not.
thanks Tony!
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