nano nano
I have completely eliminated all traces of social life this november successfully aside from pubmeet (this weekend, required brain break and discussing with other writers) and my cousin's wedding on the 30th. :whines: I wanna see Skyfall but hauling self out've house during weekends for owt else aside from jogging - not good. I know me, I write mostly in the late afternoon/evening, it takes a bit to get me going, and considering normal awakey time at weekends is 10:30...
passed 27k last night.
I... don't exactly have any vestiges of plot going yet. But I did get character interaction progression? But then this thing doesn't really have a plot aside from a question getting answerd that happens near the end. Who knows, if it was a series you might call this the establishing first volume. Well. If it wasn't a Narnia/Torchwood crossover and we already knew most of the main characters.
Going to be a bit weird as I go toward the scenes that actually has them doing missions. Might just keep it as snippets of missions, since my headspace really isn't up for plotting the damn things right now. Like the beginning of a Bond film. 'explanation? fuck it. They are hanging upside down and that's all you need to know. I may not even show them getting out of it. Clearly they did, but that's up to you to figure out.' The real problem i may have is progression of a particular relationship and showing that plausibly.
This one, fairly impressed with myself that I'm being very unwordy - anyone who's read some of my previous nanos, especially the previous Narnia one, knows I have a tendency towards inner dialogue and introspection. Great big chunks of text. This one is about... 80% dialogue, often just using 'said'.
Also, I had Susan shooting someone from Cardiff castle with a bow and arrow at 4am. Gotta be worth it.
passed 27k last night.
I... don't exactly have any vestiges of plot going yet. But I did get character interaction progression? But then this thing doesn't really have a plot aside from a question getting answerd that happens near the end. Who knows, if it was a series you might call this the establishing first volume. Well. If it wasn't a Narnia/Torchwood crossover and we already knew most of the main characters.
Going to be a bit weird as I go toward the scenes that actually has them doing missions. Might just keep it as snippets of missions, since my headspace really isn't up for plotting the damn things right now. Like the beginning of a Bond film. 'explanation? fuck it. They are hanging upside down and that's all you need to know. I may not even show them getting out of it. Clearly they did, but that's up to you to figure out.' The real problem i may have is progression of a particular relationship and showing that plausibly.
This one, fairly impressed with myself that I'm being very unwordy - anyone who's read some of my previous nanos, especially the previous Narnia one, knows I have a tendency towards inner dialogue and introspection. Great big chunks of text. This one is about... 80% dialogue, often just using 'said'.
Also, I had Susan shooting someone from Cardiff castle with a bow and arrow at 4am. Gotta be worth it.