инструмент к_м_н_
Продолжаю собирать информацию о разновидностях моего любимого инструмента. Как оказалось в Армении существует такой инструмент քամանի (к[ь]амани, qemani, kiamani, qyamani...) он же բամբիռ (бамбир).
Как тяжело с этими произношениями, всегда приходится искать разные варианты одного и того же названия на разных языках. Вообщем, как бы там ни было, существует такой инструмент:
Информация отсюда
QEMANI (BAMBIR)
Qemani (bambir) is a bow-string instrument which was spread in the North regions of the historical Armenia: Trapizon, Ghavaghk, along the shores of the Black Sea. Information about qemani goes back to the 9th century. During archeological a digging of Dvin, one of the capitals of Armenia, was founded a plate with a painting of a musician with an instrument like a violin on his shoulder.
In the 20th century varieties of qemani were created: alt, tenor, bass. Qemani of a bigger size is also called bambir in Armenia. You can play sitting and holding it between your knees. You can play it simultaneously with 2 or 3 strings. Bambir has 4 strings. Its tuning is quart-quint; sound range is from small octave "la" to second octave "la".
Кемани (Бамбир)
Кемани (бамбир) является смычковым струнным инструментом распространённым в северных регионах исторической Армении Трапизон, Джавахк, на берегах Чёрного Моря. Ранние сведения о кемани датируются 9-м веком. Во время археологических раскопок [города ] Двин, одной из столиц Армении, найдена тарелка с рисунком музыканта со скрипкоподобным инструментом на плече.
В 20 веке разные формы кемани были воссозданы: альт, тенор, бас. Кемани большего размера в Армении называется "бамбир". На нём можно играть стоя или сидя, держа между колен. Можно одновременно играть на 2х или 3х струнах. Бамбир имеет 4 струны. Настраивается на кварту или квинту, диапазон от ля малой октавы до ля второй октавы.
А связь с кеменче наблюдается на страничке ансамбля Лабиринт под руководством известного музыканта Росса Дали (Ross Daly), где пишется про лиру, но упоминается её схожесть с кемани.
PONTIC (BLACK SEA) LYRA (kementzes)
The Pontic lyra or kementzes as the Black Sea Greeks refer to it, is a bottle-shaped bowed instrument. Its three strings are pressed with the fingertips of the left hand, unlike the pear-shaped lyra, which is played by pressing with the nails on the side of the strings. The word kemantzes is a corruption of the Persian kemanche (Farsi keman = “bow”, plus the diminutive che give kemanche = “small bow”. Today the word usually refers to instruments in the kamancha azuz (Arabic = “old bow”) family.
The strings of the Black Sea kementzes are tuned at two intervals of a perfect fourth, i.e. so-la-re from high to low. The bow is mainly used rhythmically (producing one note per stroke, apart from trills and other embellishments); legato and other techniques used elsewhere, e.g. on the Constantinople lyra, are uncommon. Another characteristic feature of the kementzes is the use of parallel intervals of a perfect fourth, which are produced by pressing with the fingers of the left hand on two strings simultaneously in the same position.
This technique is encountered in the musical traditions of Central Asian peoples, both on bowed instruments (e.g. the ghidjak in Afghanistan and Tajikistan and the kiamani in Armenia), and on plucked chordophones (e.g. the notar in Tajikistan, Turkmenistan and Afghanistan, the tsogur in Azerbaijan and the tambur-i horasan in Iran).
The Pontic lyra is the same as the karadeniz-kemençe played to this day in the Black Sea area (Turkish Karadeniz), mainly by the Lazi. It is also closely similar to the Armenian kiamani, the kemen played by the Turkomans of the Taurus Mountains and the Cappadocian kemane. Lastly, it shares some features with the European Taschengeige, pochette, pocetta and kit, though differences in build and the manner the strings are tied reveal that it is of different origin.
А вот тут нашёл ещё одно изображение этого редкого инструмента (играет Григор Аракелян)
Как тяжело с этими произношениями, всегда приходится искать разные варианты одного и того же названия на разных языках. Вообщем, как бы там ни было, существует такой инструмент:
Информация отсюда
QEMANI (BAMBIR)
Qemani (bambir) is a bow-string instrument which was spread in the North regions of the historical Armenia: Trapizon, Ghavaghk, along the shores of the Black Sea. Information about qemani goes back to the 9th century. During archeological a digging of Dvin, one of the capitals of Armenia, was founded a plate with a painting of a musician with an instrument like a violin on his shoulder.
In the 20th century varieties of qemani were created: alt, tenor, bass. Qemani of a bigger size is also called bambir in Armenia. You can play sitting and holding it between your knees. You can play it simultaneously with 2 or 3 strings. Bambir has 4 strings. Its tuning is quart-quint; sound range is from small octave "la" to second octave "la".
Кемани (Бамбир)
Кемани (бамбир) является смычковым струнным инструментом распространённым в северных регионах исторической Армении Трапизон, Джавахк, на берегах Чёрного Моря. Ранние сведения о кемани датируются 9-м веком. Во время археологических раскопок [города ] Двин, одной из столиц Армении, найдена тарелка с рисунком музыканта со скрипкоподобным инструментом на плече.
В 20 веке разные формы кемани были воссозданы: альт, тенор, бас. Кемани большего размера в Армении называется "бамбир". На нём можно играть стоя или сидя, держа между колен. Можно одновременно играть на 2х или 3х струнах. Бамбир имеет 4 струны. Настраивается на кварту или квинту, диапазон от ля малой октавы до ля второй октавы.
А связь с кеменче наблюдается на страничке ансамбля Лабиринт под руководством известного музыканта Росса Дали (Ross Daly), где пишется про лиру, но упоминается её схожесть с кемани.
PONTIC (BLACK SEA) LYRA (kementzes)
The Pontic lyra or kementzes as the Black Sea Greeks refer to it, is a bottle-shaped bowed instrument. Its three strings are pressed with the fingertips of the left hand, unlike the pear-shaped lyra, which is played by pressing with the nails on the side of the strings. The word kemantzes is a corruption of the Persian kemanche (Farsi keman = “bow”, plus the diminutive che give kemanche = “small bow”. Today the word usually refers to instruments in the kamancha azuz (Arabic = “old bow”) family.
The strings of the Black Sea kementzes are tuned at two intervals of a perfect fourth, i.e. so-la-re from high to low. The bow is mainly used rhythmically (producing one note per stroke, apart from trills and other embellishments); legato and other techniques used elsewhere, e.g. on the Constantinople lyra, are uncommon. Another characteristic feature of the kementzes is the use of parallel intervals of a perfect fourth, which are produced by pressing with the fingers of the left hand on two strings simultaneously in the same position.
This technique is encountered in the musical traditions of Central Asian peoples, both on bowed instruments (e.g. the ghidjak in Afghanistan and Tajikistan and the kiamani in Armenia), and on plucked chordophones (e.g. the notar in Tajikistan, Turkmenistan and Afghanistan, the tsogur in Azerbaijan and the tambur-i horasan in Iran).
The Pontic lyra is the same as the karadeniz-kemençe played to this day in the Black Sea area (Turkish Karadeniz), mainly by the Lazi. It is also closely similar to the Armenian kiamani, the kemen played by the Turkomans of the Taurus Mountains and the Cappadocian kemane. Lastly, it shares some features with the European Taschengeige, pochette, pocetta and kit, though differences in build and the manner the strings are tied reveal that it is of different origin.
А вот тут нашёл ещё одно изображение этого редкого инструмента (играет Григор Аракелян)