Characters: Wanda and Erik
Date & Time: November 2nd, afternoon
Setting: By the lake.
Summary: You learn something new every day. And Wanda’s about to learn a doozy.
Rating: PG-13? Probably not going to go up. I doubt they’ll get THAT violent.
Status: CLOSED
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And in that one moment, the things that you’re sure of slip from your hand )
Wanda.
He'd scarcely seen her at all for weeks it felt, and whilst he did wonder if that was her probability-bending ability at work in order to avoid him, or just mere chance... it was somehow surprising to simply happen upon her all of a sudden.
It would be intolerably rude to simply carry on past as though she were invisible, particularly as his mind had been on her much lately.
"Miss Frank... good afternoon."
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So it was only with a little reluctance that she set her paintbrush and palette carefully aside. “Good afternoon, Mr. Lehnsherr,” she said, with a small smile. “What brings you out to the lake?”
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You are painting, I see. May I take a look?"
His mother had used to paint, he recalled... she'd been exceptionally talented at it.
Speaking of mothers... this seemed an opportune time to speak to Wanda about such matters, and yet it remained all too difficult.
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Two men. A happy moment. Imagined, or reality? Friends of hers, he reckoned. Mutants? Or humans...
Erik gazed at the painting with the aesthetic eye of an art lover, and it was a long moment until he even batted an eyelash.
"Highly proficient use of form and colour. Elegant brush strokes. You have Eidetic Memory? Or simply an exceptional eye for detail?"
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Which was why the compliment was both surprising and oddly flattering. She raised an eyebrow at him when he spoke, the beginnings of a genuine smile flickering across her face. He’d gotten the fact that she had an eidetic memory from her painting. Interesting. And unexpected. He was just full of surprises, wasn’t he. “Eidetic memory.” She smirked a little. “Which helps the eye for detail.”
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Friends of yours, hmm? And that one -" he gestured at the young man laughing so uproariously "- that one is someone very important to you. Both are human, I take it. You must miss them very much to sit out in the cold and paint them.
Erik was hardly an unobservant man. Indeed observation was a very finely tuned skill for him, one required for survival all these years, one most required on the hunt.
The focus of the painting was on the man laughing - he was portrayed on the left of the canvas, a clear indicator of prominence in memory and thought, and where one's eye naturally gravitated. And if they were mutants, the chances were high they would be here with her. Unless they were dead. Which he couldn't imagine they were, given the tonality of the colour or her mood.
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She could just go to them, afterall, or invite them here to her. So missing people was no decent option when one still had the opportunity to prevent it.
All the people Erik missed were dead, so it was a little harder to rectify. Best really to keep those important to you close.
Seeing that smudge of grey across her forehead, Erik reached into his pocket and took out a clean tissue, offering it across to her. He would have tilted her face up and cleaned it himself, but they were not so close as to allow such physical contact.
"You seem to have painted yourself, Miss Frank..." He gestured to the greyish smear.
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It would be simply splendid if peace really were an option, as Charles was always harping on... but Erik couldn't see it. How could peace ever come when they were hunted down, experimented on, tortured, and killed?
It was all happening again...
"The Sentinels won't have harmed him, if he's human."
It was cold comfort really.
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Shaw could hardly be counted by anyone with a brain as 'good' afterall.
And Erik had known many very good humans, his parents amongst them. Pietro's parents, who he didn't know but knew much of through talk with his son, were undeniably decent warmhearted people.
And over the years he had met humans whom he had only ever known kindness and generosity from.
Just as he had met humans who had hated and feared and despised him simply for what he was - both before his mutant powers manifested and after.
"Each of us has the capacity for kindness as well as cruelty, and not every member of either race can be one or the other.
There were Germans who were not Nazis, just as there are Humans who do not hate and fear us."
But they seemed fewer than the ones who did, and certainly not amongst those in power.
"I was married to a human once, my parents were both human. I know ( ... )
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And my wife... she knew, I suppose. She must have heard the stories in the camps. But then when faced with a demonstration of just how powerful I could be, the night our first daughter was slaughtered, she labelled me a monster and ran in fear and disgust of me.
She was, afterall, only human."
And a naive foolish representation of the human species. Erik was sure for a long time she'd hated him for what he was, but now he thought perhaps she simply didn't have the capacity to understand.
He'd loved Magda, as young people do sometimes, without reality or adult thought. But she'd not been without her flaws, as he hadn't.
He wondered if she'd known she was pregnant.
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No wonder they had clashed so intensely upon her arrival.
“Do you know what happened to her?” she asked quietly. “After she fled?” Her thoughts had turned, as they did occasionally, to her father. And the small pile of unsent letters sitting on the desk in her room. She had written so many times, to let him know that she was all right, that she was sorry for what had happened. But uncertainty had stayed her hand from sending them.
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