They're setting up for the premiere of Snatched by my office, and when I walked by on my way to lunch I overheard a few people saying things like "That looks terrible" or dragging Amy Shumer.
You're not wrong, there wasn't much promo for it, again I think because they released it at a weird time. I would recommend it for anyone who likes a good historical story/mystery. The book is even more fascinating.
this is why the death of the mid-range movie makes me so sad. Either it's high-stakes super expensive risks like this or an indie movie that someone filmed on their iphone. There's nothing in the middle anymore.
It's frustrating because there's still definitely audiences for films of that size.
Just in the last calendar year, La La Land made $150M DOM/440M WW and cost $30M to make, Hidden Figures did $169M/$228M on $26M, Split went $138M/$275M on $14M (depending on the source), Arrival made on $100M/$199M on $47M... even Money Monster did $94M WW on a $27M budget.
Do romantic comedies exist anymore? I was just thinking about how Julia Roberts and Kate Hudson built their careers on them, but I can't recall a recent one (or an actress now known for them).
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Though Lost City of Z didn't get critically panned, quite the opposite.
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It's like studios want to lose ridiculous sums of cash.
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Just in the last calendar year, La La Land made $150M DOM/440M WW and cost $30M to make, Hidden Figures did $169M/$228M on $26M, Split went $138M/$275M on $14M (depending on the source), Arrival made on $100M/$199M on $47M... even Money Monster did $94M WW on a $27M budget.
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