Or, Did Alan Moore even read Jules Verne?
The theme of this year's
International Blog Against Racism is "Intersectionality" which ought to be a snap for me, but as usual I'm behind and disorganized but thanks to
shewhohashope and
oyceter both posting about steampunk and colonialism, I remembered something which I've been meaning to try to examine in greater detail,
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Comments 67
Then it's possible to like it, in an "Austin Powers" way.
RE: O'Neill's drawing skills.
Burn the man. Or just his hands.=_='
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Burn the man. Or just his hands.=_=
He just shouldn't have a job that requires drawing people. I suspect he'd be just fine at illustrating technical manuals, that seems to be much more in line with his style.
Forget about the original characters/stories.
Then it's possible to like it, in an "Austin Powers" way.
Well, no, I don't think so, because the point of Austin Powers is that it IS a spoof of 60s/70s era Bond films, and on its own apart from that matrix it doesn't stand up at all well (and it isn't as funny as when Peter Sellers did the same thing back *in* the 60s and 70s, anyway.)
It would only be enjoyable on its own if it had, well, enjoyable original characters doing fun and interesting things with good production values, like a good movie that is totally different from the good book it is based on (that rarest of avises) and as many of us have noted, it fails, rather in rather epic ways, in that regard.
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It requires an entirely different handling than the Boy's Own Adventure take which it has always been simplified to. (This is also the problem with making movies of Joseph Conrad novels - Hollywood doesn't do well with trying to get the viewer to experience this "exotic" new world from the inside, or with "culture clashes" that depend on extremely ( ... )
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Verne, through the voice of Professor Arronax,
I had to do a double-take because I read that as "Professor Anthrax" and now I know where the "Yellowbeard" character came from.
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What struck me back in my late childhood and teens, reading both Verne and Haggard, was the portrayal of non-white, non-European characters as fully developed human beings (this is also true of Around the World in Eighty Days -- and you might also consider the subtext of interracial marriage, badly mishandled though it was, in Conan Doyle's 'The Mystery of the Copper Beeches' [if that's the right story, I'm working from memory here]). Kipling's Kim, fits in there too, with its fully realised Indian, and, in the case of the Lama, Tibetan, characters. The rise of 'hipster racism' is something I find very alarming, since it legitimises ignorance and stupidity as 'cool' once more. It's one thing when you're being patronised by someone who actually thinks you're human, it's another when you're despised.
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