Those of you on the flist who are early modernists, have read a lot of Shakespeare, especially if you also do a lot of context-based work or use Folger editions frequently, are probably familiar with this woodcut:
*cracks up* Having just read Lingua, in which the first characters to show up on the stage are the tongue and the ear, I am no longer surprised by early modern personifications.
omg, Lingua! I read that when I was doing my MA, because I took a class with a prof who was really into it.
For some reason, though, it did not weird me out as much as the pants did. This is either because Lingua is a play and thus I was visualizing the characters as people in allegorical costumes, or because pants are intrinsically hilarious.
Apparently there's also an academic drama in which all the characters are geometric shapes, too, sort of an Elizabethan version of The Missing Piece Meets the Big O, but I can't remember who wrote it or what it's called.
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O, brave pants!
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For some reason, though, it did not weird me out as much as the pants did. This is either because Lingua is a play and thus I was visualizing the characters as people in allegorical costumes, or because pants are intrinsically hilarious.
Apparently there's also an academic drama in which all the characters are geometric shapes, too, sort of an Elizabethan version of The Missing Piece Meets the Big O, but I can't remember who wrote it or what it's called.
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I now want to see it acted out by the Jim Henson muppeteers workshop. They do excellent work with bemused humans meeting sentient clothing.
Our f'lists have very little overlap. So, if you do not mind, I will rec this entry in my LJ... May I?
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THIS is just one reason why earlymoderns (all one word; I feel like I need a scientific classification) are AWESOME. :D
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