The outpouring of support I've gotten for my very loose
open source speculative fiction magazine model has been really staggering. In addition to early pingbacks from
Paolo Bacigalupi and
Clarkesworld, I was surprised and very pleased to see the commentary from
Warren Ellis and
Lou Anders. I'd just picked up a copy of
an anthology edited by Anders
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It would be cool, if you were interested, if you could post your approach to both the novel project and the chapbook to the open source wiki! If you'd like them to be there but don't have time to put them up yourself, I can summarize them on pages there if you'd like.
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I think I told you the salient parts of the combination website/chapbook project. The poll-driven novel is basically a Livejournal. All entries are public for people to read. Polls are locked to the Friends-list (consisting of people who have donated at least one dollar at some point through the novel's life). People not on LJ who have donated send their votes in through email.
So: everyone reads, but people who donate can direct the parts of the story I decide are poll-worthy.
(Link to that is Godkin, by the way.)
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I ran into a problem that was unique (to me, at least, because when it started happening there was no one I could find to consult about how to solve it): I was writing with the intention to publish, but I was also drawing and discussing my projects at length and building a massive database of work available online. So what happens? I start growing an audience... but the publishing industry wasn't keeping up with me.
I wind up with people asking me constantly, "Where do I buy your novels?" and me telling them, "I only just got an agent a few years ago, and she hasn't been able to sell what I've given her despite my three near misses."
The frustration factor, both for me as an artist and my fans as people waiting impatiently for a product they can buy has only been mounting. But for the life of me and my agent, I can't get anyone in New York to "take a chance" on me.
I say that in quotes because I don't know how someone with a built-in audience can be as risky as someone with no audience.
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