DCBB 2016 POISK ISTINY - CHAPTER SPECIFIC GRAPHICS
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CHAPTER FOUR: THE DOCK
When I first signed on, as is my habit, I asked Dani and Cassie if there was anything specific that they'd like to see depicted. Both of them chimed in that there was a scene that takes place on the dock of the Krushnic family
home in upstate New York.
This was a very difficult manipulation to accomplish. I can't even tell you how many different layers are in here. I can tell you that it took about 12 hours to accomplish! I may do a walk through on this one.
But for starters, first I needed to beat up Gabriel. And break his leg. Then I needed his face to be swollen because he'd been beaten over days. It was quite a challenge, but I'm pleased with the result.
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CHAPTER FIVE: THE CABIN
Cassie presented me with a huge challenge! I've never done a porn manip before. I've seen others do them and the do them so beautifully. It's truly a talent! I thought I'd rise to the challenge and give it a try.
I didn't get quite what I wanted. I did manage a credible 'almost kiss' with Dean and Cas -- I was happy and Cassie was thrilled and Dani was quite excited.
Because there's so much that happens at the cabin with our guys, I opted for a collage approach. I hope you like it!
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CHAPTER NINE: THE WAREHOUSE
THIS is a very important pinnacle of the story and I so wanted to do something. There was just so much going on that I had to hone in on the truly key elements of this chapter without giving away all of it. A walk through on this could be fun but I started this only last night, the night before posting. Not because I had no time, but because this story is so full but honing in on what I can manip is sometimes an issue. I'd tried several Dean-centric scenes and did not like the results -- this brain child came yesterday at about four in the afternoon! At three in the morning I closed the file wrong and lost everything. So, I started again. I needed to shorten the warehouse, because I could not find one to my liking, then I had to burn it. And find a Caddy Escalade and put Sam in the driver's seat. Oh, and I had to beat up Cas a bit more than the image I found at Home of the Nutty. Phew! It was a lot!
I took those elements and fashioned a small collage. I think it does the trick! I hope you do as well!
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EPILOGUE: THE MARTINI SHOT
The Martini Shot is becoming a bit of a signature for me. I like to find that one scene that can put the dot over the 'i' and cross the 't'. The image that lets you breathe a sigh at the end but smile at such a great read.
I chose this... I hope it does the job!
.
.
.
.
.
.
.
.
CHAPTER FOUR: THE DOCK
When I first signed on, as is my habit, I asked Dani and Cassie if there was anything specific that they'd like to see depicted. Both of them chimed in that there was a scene that takes place on the dock of the Krushnic family
home in upstate New York.
This was a very difficult manipulation to accomplish. I can't even tell you how many different layers are in here. I can tell you that it took about 12 hours to accomplish! I may do a walk through on this one.
But for starters, first I needed to beat up Gabriel. And break his leg. Then I needed his face to be swollen because he'd been beaten over days. It was quite a challenge, but I'm pleased with the result.
.
.
CHAPTER FIVE: THE CABIN
Cassie presented me with a huge challenge! I've never done a porn manip before. I've seen others do them and the do them so beautifully. It's truly a talent! I thought I'd rise to the challenge and give it a try.
I didn't get quite what I wanted. I did manage a credible 'almost kiss' with Dean and Cas -- I was happy and Cassie was thrilled and Dani was quite excited.
Because there's so much that happens at the cabin with our guys, I opted for a collage approach. I hope you like it!
.
.
CHAPTER NINE: THE WAREHOUSE
THIS is a very important pinnacle of the story and I so wanted to do something. There was just so much going on that I had to hone in on the truly key elements of this chapter without giving away all of it. A walk through on this could be fun but I started this only last night, the night before posting. Not because I had no time, but because this story is so full but honing in on what I can manip is sometimes an issue. I'd tried several Dean-centric scenes and did not like the results -- this brain child came yesterday at about four in the afternoon! At three in the morning I closed the file wrong and lost everything. So, I started again. I needed to shorten the warehouse, because I could not find one to my liking, then I had to burn it. And find a Caddy Escalade and put Sam in the driver's seat. Oh, and I had to beat up Cas a bit more than the image I found at Home of the Nutty. Phew! It was a lot!
I took those elements and fashioned a small collage. I think it does the trick! I hope you do as well!
.
.
EPILOGUE: THE MARTINI SHOT
The Martini Shot is becoming a bit of a signature for me. I like to find that one scene that can put the dot over the 'i' and cross the 't'. The image that lets you breathe a sigh at the end but smile at such a great read.
I chose this... I hope it does the job!
.
.
.
.
.