This poem came out of the January 22, 2013 Poetry Fishbowl. It was inspired by a prompt from
ellenmillion. It also fills the "water" square on my
Dark Fantasy Bingo Card. It has been sponsored by
rix_scaedu. This poem belongs to the series
Fiorenza the Wisewoman. You can read more about the
aguane online.
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Read more... )
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Language note: aguane is the plural form, singular is aguana.
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Thank you! I'm glad you liked this.
>>The aguane (anguane in my part of Northern Italy) are fascinating creatures (in our rapresentation they have goat feet but normal arms but they change a lot depending on the place). I guess around here (between Veneto and Lombardy) they got mixed up with the banshee: we have the saying 'sigar come na 'nguana' (scream like an anguana)that I've never heard anywhere else.<<
Fascinating. Maybe it has to do with the way goats can shriek when distressed?
>>Language note: aguane is the plural form, singular is aguana.<<
Much appreciated. I should have caught that from all my work with fate/fata. I have edited the poem accordingly. Please let me know if you spot errors in any of the other poems; there were a fair number this time with Italian fragments.
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Monster House, I'm less sure of. Much of the rest of the world there seems more solidly formed, like ours, and less malleable the way fairy tale reality is in Fiorenza the Wisewoman.
*ponder* The best explanation I could come up with for something like that would be if the mortal world and magical world(s) were in relative motion rather like the planets, and that motion influenced the degree to which inhabitants could interact across the worlds and what kind of rules governed reality. Which could be an interesting way of explaining why science has thought such radically different things over the centuries: some of those may have been true at the time they were observed, but ceased to be true later. Or some things may have been locally true but not universally true.
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Monster House is in suburban America. Judging from the climate I'd say continental United States.
>> and the differences in how an agrarian culture is closer to the land than modern culture. The MH family deals a lot more with household spirits than with wider mythology, although the Slumber Party poem demonstrates that people of different heritages brought their traditional household spirits to the US with them.<<
Also true.
>> I love the idea of things having been true at the time of observation as relates to mythology. <<
I'm holding onto that as a possibility. I haven't made a firm decision about whether or not these series are connected. They are more similar to each other than to some other places I write. Sometimes I can tell very clearly that this and that piece happen in the same setting. Other times it's much more vague.
my_partner_doug is fairly strong against the idea of connecting these ( ... )
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I'm happy to hear that.
>> This is the first I've heard of a(n)guane. & molte grazie, maria_bonome, for the dialect notes! <<
They're new to me too. I went looking for Italian fairy tale creatures.
marina_bonomi has graciously done the cultural fact-checking for me on several poems from this batch, which has helped a lot.
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