I have read many of the stories mentioned here. I think "The Other Man" by Jess Mabe is the one that hits me hardest in the gut. Ouch, that fic. So, so good, but utterly devastating.
I think for me it was "Fugue" but "The Other Man" comes in a close second.
Despite being a shipper through and through, I was never a fan of the white picket fence stories. Domesticity has its place, but I was never drawn to the stories that focused almost solely on it. This isn't necessarily true of fic I read in other fandoms, such as BBC Sherlock, but I could never buy M/S settled down in suburbia raising a passel of kids.
So it's not the genre you object to, it's the characterization?
That said, I also don't like to drown in angst. My favorite stories tend to be more balanced and have a little bit of everything thrown in. And happy endings.
I like happy endings, too, as long as they're right for the story and don't seem forced or rushed. My favorite writer is still Kel. In her best work, she's able to weave elements of dark and light, humor and sadness, together with style and grace. She's a marvelous storyteller.
So it's not the genre you object to, it's the characterization?
I think so. I mean, I loved many of the one-shots or longer stories that aren't case fic or serious angst, whether it's M/S making dinner or cleaning house, etc., but as far as M/S married and with a bunch of kids? That never really worked for me. Married and with William? Yes, but not where they're going to PTA meetings. I say that, but I bet there is at least one story like that that I probably read and loved.
I agree with you about happy endings needing to fit the story. "Contact High" by Penumbra is one of my favorites; it has a little bit of everything and yet that ending...it hurts.
I haven't read Kel in a long time, must go back for some rereads.
Three cheers for "Contact High." It makes wonderful, erotic music out of the fact that, OMG, Scully and Mulder are IN each other's brains. "Parabiosis" has great stuff in it, but it's rather scattered.
I think for me it was "Fugue" but "The Other Man" comes in a close second.
Despite being a shipper through and through, I was never a fan of the white picket fence stories. Domesticity has its place, but I was never drawn to the stories that focused almost solely on it. This isn't necessarily true of fic I read in other fandoms, such as BBC Sherlock, but I could never buy M/S settled down in suburbia raising a passel of kids.
So it's not the genre you object to, it's the characterization?
That said, I also don't like to drown in angst. My favorite stories tend to be more balanced and have a little bit of everything thrown in. And happy endings.
I like happy endings, too, as long as they're right for the story and don't seem forced or rushed. My favorite writer is still Kel. In her best work, she's able to weave elements of dark and light, humor and sadness, together with style and grace. She's a marvelous storyteller.
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I think so. I mean, I loved many of the one-shots or longer stories that aren't case fic or serious angst, whether it's M/S making dinner or cleaning house, etc., but as far as M/S married and with a bunch of kids? That never really worked for me. Married and with William? Yes, but not where they're going to PTA meetings. I say that, but I bet there is at least one story like that that I probably read and loved.
I agree with you about happy endings needing to fit the story. "Contact High" by Penumbra is one of my favorites; it has a little bit of everything and yet that ending...it hurts.
I haven't read Kel in a long time, must go back for some rereads.
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Kel is God. Like maybe Athena. That kind.
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