As a follow-up to "Kevin," I thought it would be interesting to post a story that deals with Mulder's spirituality. "The Thirty-Sixth" is an excellent story, which Jess said is "about faith, religion and sainthood." It's also about love. And knitting.
If you like, you can read a short excerpt: (
here )
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Whoops, sorry. My Scully love knows no bounds. You do not have to be a member to vote.
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One of the things I like about Jess's writing is that she writes lines that are beautiful because they're *true*, not because they are just pretty. Although I love pretty/poetic writing, I think the measure of a true writer is one who makes you think "Yes, yes," while you're reading--a writer who just reinforces or reminds you of things you already knew.
So I love how well she shows us the characters--"She is very protective of you", and Mulder's thoughtful fingers on the mittens, the weight of their faith and fear, Scully's realization that she wouldn't be who she is without constant challenge, learning and growth--without ever laboring a point.
She ( ... )
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I can see it must be very hard to write stories about Mulder and faith--it is something he is very closed-off about as a character--whereas it's one of the few things Scully is very open about. This story, for me, is balanced because it is exploring Mulder's character (and to an extent the nature of faith and religion), while not going overboard or having him act out of character.
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I love this Mulder and Scully. They feel whole and real and very very *them*. (In the past, some have suggested they are out-of-character in this story, but I don't see it. [The argument generally runs that Scully is a smart, strong, beautiful, independent woman with a badge and a gun and a hot hot man, and therefore would never stoop to knitting.] Snobs.) But I think Ma Scully says it best:
"It doesn't take patience, silly," her mother told her. "If you like it, it's enjoyable. It's not like someone's sitting there with a gun to your head. You do it because the act of creation is, in and of itself, rewarding."
I can see Scully, after what she's been through, embracing the creative, the positive, the transcendent in just this simple way:
Somehow, she wasn't ready to tell him she had created them. Ok, she was following a ( ... )
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I agree, I think both Mulder and Scully seem in character. I can even see this as an episode, minus the sex scenes, of course. Not that I am objecting to the sex scenes. As an ending to the seventh season, I would have vastly preferred to have Mulder proclaimed a lamed-vovnik than see him abducted by aliens, then tortured to death, and improbably resurrected in season eight. Argh.
I really like this passage, because it is so exactly how she would and does feel. And because that's what I think of when I think of real love: nothing mushy or gentle or even always pleasant. No-one loves without pain or loss--Scully would know that ( ... )
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Original Sin." I'm not going to get into a theological debate here, but that's not quite accurate. It always irks me when authors (whether fic or pro) can't be bothered to do basic research.
Maybe I'll come back to it at some point. Like I said, I was liking it to that point.
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What is also interesting to me is how Scully reacted to Mulder's words.
"You, as a Catholic, should be aware that people often create an internal reference for the structure of their religious beliefs. Jesus never spoke of Original Sin."
She didn't bristle ( ... )
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~Charles Ives
I think this is what Jess's story is about. Everything in this X-Files universe is about fate, about destiny. Leah believes Esther may be a lamed vovnik, and that she was born to protect her sister. Leah thinks that Scully was born to protect Mulder. The Mulder and the Levich families are also inter-connected, and as he tells Scully to reassure her of Mulder's survival, Rabbi Levich believes that Mulder is a kind of lamed-volnik.
"He will. It is part of his destiny, part of his role. That's why he lives
today, after all the things they have tried to do to him."
"Who?" she said, wiping her nose on her sleeve. She had regressed that far.
"When a man is designed to carry the weight of the world on his shoulders,
there are plenty who would add to the load."The knitting is a metaphor for Scully's attempt to get her life back together, following the horrible events of the the end of season six through beginning of season seven. Knitting is a poor substitute for companionship, ( ... )
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"Are you serious?" he said. "Look around you, Scully, look at the world. How ( ... )
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I could hardly regret that someone got a lift from a Jessfic. And the passages you quote are wonderful. I especially liked Scully's "Why the hell not?" Works better than a mournful, patient response.
But where do you get that Leah is a stand-in for Diana? They're both tall? And this isn't tv, it's fiction. In fact it's fanfic, which is meant to *improve on* tv.
Wasn't there a conversation about fate at the end of one of the mytharc-heavy episodes? Someone will remember.
I wasn't comparing "The Thirty-Sixth" with "The Other Man." Unless it's comparing to say that one is really good and one is great. They are what they are, in Hollywoodspeak, and there's no reason not to appreciate both.
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