For Seattle People

Apr 25, 2009 10:29

The local community theater that we are a part of is doing the west coat premiere of Illyria, a genderbending musical based on 12th night. It's really good, and a lot of fun. L thinks it's the best show they've done in a while. (Even though we're a podunk community theater, the musicals really pull in a lot of talent from the Seattle theater crowd, particularly as this show is having its west coast premiere.)

(Psst. There's also a Male/Male kiss)

Tickets are $15-$20, and here is the promotional info. Come out and enjoy the show!

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Illyria - a new musical West Coast Premiere
April 24-May 9, 2009

Host:
Redwood Theatre
Fred W. Meitzer Theatre (within the Redmond Municipal Campus)
8703 160th Avenue NE
Redmond, WA

Phone:
2065253493

Email:
general@redwoodtheatre.org

Brown Paper Tickets

Description
book, music, and lyrics by Peter Mills
adapted by Peter Mills and Cara Reichel from Shakespeare’s "Twelfth Night"
directed by ShawnJ West
music direction by John Allman
vocal direction by Austin Anderson

April 24-May 9, 2009
Fridays and Saturdays at 8:00 pm
Sundays at 2:00 pm
The Sunday, May 3 matinee performance will be interpreted for the hearing impaired.

This musical re-telling of Twelfth Night, Shakespeare’s greatest comedy, captures both the rollicking energy of the play’s hilarious hijinks and its deeply felt emotions of loss and unrequited love.

Featuring Leilani Berinobis, Branden Edwards, Mandy Eldredge, Iris Elton, Amanda Falcone, Aaron Ford, John Kelleher, Sarah Marroquin, Mok Moser, Gabriel Sedgemore, Caleb Slavens, Erin Sprow, Daniel Stoltenberg, Kate Williams

"This high-spirited, utterly engaging musical adaptation of Shakespeare’s Twelfth Night is an intergenerational winner that deserves an unequivocal thumbs-up. Peter Mills and Cara Reichel, who adapted the show, have managed to do the near impossible. They have taken Shakespeare’s comic masterpiece, kept its Elizabethan spirit, voice and wit, yet created a new, accessible work that brashly and, at times, poignantly speaks to contemporary musical theater."
- The New York Times
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