Okay, over the next week or so I am probably going to be very fic/drabble spammy. I wanted to try to consolidate them as much as possible, but there are only two I've finished so far. Also, the idea of putting more than one thing into an entry gives me hives. So for now, you're going to get two posts of this in a row (and I apologise, because I
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And the final imagery: Pansy's thin black line against the snow, the candle going out--it is all just gorgeous, as your writing tends to be; and if I did not suspect that you hate your work being deconstructed and read into, I would have a lot to say about symbolism and how it is at work here on a number of different levels. Most especially, the title intrigues me: the Last Stop. Knowing that Draco is on a train, and knowing that metaphorically, at least according to film noir, the last stop is always death, this piece manages in a very short space to raise all sorts of questions about what kind of reality Draco is living in, what the future will bring for him, and what sort of life, even whose life, is being snuffed out with the candle. In addition to avoiding home, is Draco also avoiding reality? Is he avoiding the possibility that Lucius will face death or (worse?) the Kiss? Is this the last stop for Draco on the path to maturity and acceptance--or to something much worse?
The devotion between Draco and Pansy here is simply profound and touching and real.
I don't know what else to add other than that I loved it, as always--but especially this, especially now. ♥
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Yes, he is avoiding reality. That is why he was laughing when he said that he might die if Pansy forgot about him. And I did that with the title on purpose.
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I am utterly fascinated with the trains-as-paths-to-death metaphor. I babbled on about this when I reviewed PJ's fic "Where All Trains Go" and there is a whole huge motif about it in Billy Wilder's film Double Indemnity, and the fact that Draco's train is currently stalled and going nowhere and is slowly freezing and/or starving him to death unless he gets off it soon, well, that's--that's just about right, isn't it?
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Gosh. Now I feel clever also.
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