Something that I almost always do with a new book, before I've bought
it or at least before I actually settle down and start reading it, is
flip through it and randomly read snippets of it. To satisfy my
initial curiosity whenever I find a new book. To get a feel for
the writer's style - I particularly watch for clarity and grace.
Phrasing, phrasing, phrasing. If I don't like your phrasing, I
will not read your writing unless I am flat-out required to, and I will
do so under protest. I will whine and pout and wince and grouse,
because I can be ridiculously anal-retentive about my reading
preferences when I want to be.
We'll just ignore that my own writing likely does not live up to my own
usual expectations. Heh. I try, but I usually do not
succeed, and I do sincerely apologize for that, because hey, I know how
painful it can be. ;)
But I digress. I flip through new books, as explained
above. I'll read a couple sentences, a paragraph, sometimes even
a whole page. If I'm doing this before I've actually bought the
book, if I come across enough snippets that catch my attention in a
good way, I'll generally buy the book - or at least put it on a list of
books that I want. When I've already bought it but haven't read
it yet, it just gets me that much more excited to read the book.
I honestly get a rush when I find snippets that just grab my
attention.
My point in making this entry is to do the following: share a few
of those rush-inducing snippets. Some from books I have read,
some from books that are still on my Need To Read list. And if
any of you feel like it, I invite you to share one or two of your
own. :)
The unusual thing
about quiet is that when you seek it, it is almost impossible to
achieve. When you strive for quiet, you become impatient, and
impatience is itself a noiseless noise. You can block every
superficial sound, but, with each new layer extinguished, a next rises
up, finer and more entrapping, until you arrive at last in the infinite
attitude of your own riotous mind. Inside is where all the
memories last like wells, and the unspoken wishes like golden buds, and
the pain that you keep, lingering and implicit, staying inside, nesting
inside, articulating, articulating, through to the day you die.
from Anthropology Of An American Girl by H. T. Hamann
Ships at a
distance have every man's wish on board. For some they come in
with the tide. For others they sail forever on the horizon, never
out of sight, never landing until the Watcher turns his eyes away in
resignation, his dreams mocked to death by Time. That is the life
of men.
Now, women forget all those things they don't want
to remember, and remember everything they don't want to forget.
The dream is the truth. Then they act and do things accordingly.
from Their Eyes Were Watching God by Zora Neale Hurston
The Baron - who I
was beginning to realize was something of a nervous man - leaned over
to scratch at a mark on the surface of Mameha's table, and made me
think of my father on the last day I'd seen him, digging grime out of
ruts in the wood with his fingernails. I wondered what he would
think if he could see me kneeling here in Mameha's apartment, wearing a
robe more expensive than anything he'd ever laid eyes on, with a baron
across from me and one of the most famous geisha in all of Japan at my
side. I was hardly worthy of these surroundings. And then I
became aware of all the magnificent silk wrapped around my body, and
had the feeling I might drown in beauty. At that moment, beauty
itself struck me as a kind of painful melancholy.
from Memoirs of a Geisha by Arthur Golden
I watched him as
he lined up the ships in bottles on his desk, bringing them over from
the shelves where they usually sat. He used an old shirt of my
mother's that had been ripped into rags and began dusting the
shelves. Under his desk, there were empty bottles - rows and rows
of them we had collected for our future ship-building. In the
closet were more ships - the ships he had built with his own father,
ships he had built alone, and then those we had made together.
Some were perfect, but their sails browned; some had sagged or toppled
over after years. Then there was the one that had burst into
flames in the week before my death.
He smashed that one first.
My heart seized up. He turned and saw all the
others, all the years they marked and the hands that had held
them. His dead father's, his dead child's. I watched him as
he smashed the rest. He christened the walls and wooden chair
with the news of my death, and afterward he stood in the guest room/den
surrounded by green glass. The bottles, all of them, lay broken
on the floor, the sails and boat bodies strewn among them. He
stood in the wreckage. It was then that, without knowing how, I
revealed myself. In every piece of glass, in every shard and
sliver, I cast my face. My father glanced down and around him,
his eyes roving across the room. Wild. It was just for a
second, and then I was gone. He was quiet for a moment, and then
he laughed - a howl coming up from the bottom of his stomach. He
laughed so loud and deep, I shook with it in my heaven.
from The Lovely Bones by Alice Sebold
And finally, from what is likely one of the most beautiful books I've
ever read, one that I've lost count of how many times I've read it:
The sky is flesh.
The great blue belly arches up above
the water and bends down behind the line of the horizon. It's a sight
that has exhausted its magnificence for me over the years, but now I
seem to be seeing it for the first time.
More and more now, I remember things.
Images, my life, the sky. Sometimes I remember the life I used to live,
and it feels impossibly far away. It's always there, a part of me, in
the back of my mind, but it doesn't seem real. Whether life is more
real than death, I don't know. What I know is that the life I've lived
since I died feels more real to me than the one I lived before.
I know this: I risked my life without
living it. Noonan once said any fool could have seen I was risking my
life but not living it. I had already been flying for a long time when
he said that. It was 1937. I was thirty-nine. I was more beautiful than
ever, but an aura of unhappiness traveled with me, like the trail of a
falling comet. I felt as though I had already lived my entire life,
having flown the Atlantic and set several world records, and there was
no one to share my sadness with, least of all my husband. Charmed by my
style and my daring exploits, the public continued to send me flowers
and gifts, but the love of strangers meant nothing to me. My luminous
existence left me longing and bored. I had no idea what it meant to
live and entire life. I was still very young.
So, the sky.
It's the only sky that I can remember, the only one that speaks to me now.
I'm flying around the world, there's nothing but sky.
The sky is flesh. It's the last sky.
I remember: I'm flying around the
world. I'm flying over the Pacific somewhere off the coast of New
Guinea in my twin-engine Lockheed Electra, and I'm lost. I watch the
sky as it curves and swells, and every now and then I think I can see
it shudder. Voluptuous, sultry in the naked heat, it seems to me to be
the flesh of a woman. But then suddenly the light illuminates a stretch
of more masculine proportions - a muscular passage of azure heft, a
wide plank like the back of a hand - and I have to acknowledge,
although I hate to admit it, the bisexuality of nature. I purse my lips
a little when I realize this, and scrunch my nose up to rearrange my
goggles. My eyes and my eyes reflected in the windshield hold the sun
in them, and it burns. I blink and reach one arm directly overhead. My
fingers grasp a dial. Out of the far corner of my field of vision, I
catch a glimpse of the underlying sea. Thinking to myself that this
might be the last day of my life, that I'm hot, and that I am hungry, I
adjust the dial and lower my arm. The sea is dark. It is darker than
the sky.
This is the story of what happened to
me when I died. It's also the story of my life. Destiny, the alchemy of
fate and luck. I think about it sometimes, under a radiant sun. The
tide laughs. The light swims. I watch the fish-skeleton shadows of the
palm leaves on the sand. The clouds ripped to shreds.
Today when I think of my former life,
I think of it as a dream. In the dream I am another person. In the
dream I am the most famous aviatrix of my day, a heroine. I am Amelia
Earhart.
from I Was Amelia Earhart by Jane Mendelsohn
I'm doing better than I was on Saturday. Thank you to all of you
who replied to that entry; I really appreciated all of your
words. :)
I've been drinking Chai Latte for the past hour or so, and it's so
tasty. Like liquid pumpkin pie. Makes me think of
Thanksgiving. I can't wait for Thanksgiving. Mmm.
I hope everyone is doing well. Much love to all of you.