quote captain badass: "i am setting your heart on fire" [fic post]
Lately, I have noticed that a great many people do not have these round-up posts, and as I find it greatly annoying when I search for fic, I figure it would be rather hypocritical for me not to have one too. Even if I haven't actually written all that much, yet.
HEROES
WITH DIAMONDS AND PEARLS AT YOUR HEAD AND YOUR FEET | Adam/Hiro/Ando, R
As an old man, Ando lives on an island in the north Atlantic, in a clapboard house with blue shutters.
Written for themollyedge. My Heroes swan-song.
MONOLOGUE FOR A LUNATIC | Sylar, PG
Call me Gabriel, call me God.
WITH BLOOM TO SPARE | Claire/Maya, Claire/Peter, PG-13
"Me llamo Claire Bennet," she tells the mirror. Her lips form rose-tinged shapes: strange, like talking with a stone in her mouth. "Estoy de Odessa, en Texas. Me encanta a mis amigos."
Vaguely AU, post-S2.
1 BR / 1 BA | Claire/Elle, R
"You know, you could at least try to escape," Elle says one day.
KINDNESS AS A CARD GAME | Adam/Yaeko, Adam/Hiro, R
Face curved like a blossom: moon-faced, tinged pink, he knows these curves. His mouth knows the shape of her; his mouth recognizes her in dreams.
THE ROAD TO THEBES | Adam/Hiro, Adam/Yaeko, PG-13
Once upon our time, there is a man named Adam Monroe who can regrow all his vital organs except the heart.
STARS SHINE BRIGHTEST | Part I, Part II, Part III | Molly, Mohinder/Sylar, PG
Everyone who meets me wants me to Find someone. The world is really big. It's easy for someone to get lost.
WIP.
FRACTURED | Peter/Niki, Peter/Claude, R
Niki remembers a time when Peter told her stories.
5YG.
STARGATE: ATLANTIS
I AM THE LETTER YOU TOOK TO WAR | Sheppard/Nancy, Sheppard/McKay, R
Within this story, then, there are ten thousand different seductions. One of them goes like this.
UNTITLED FICLET | Rodney & a piano, PG
Picture this: Rodney McKay, playing the first few bars of Nina Simone's "Black Is the Color of My True Love's Hair".
THE KNOWN WORLD | McKay/Sheppard, R
There's a joke going around Atlantis.
Math!fic.
LUNG | Biro, McKay/Sheppard, PG-13
On Atlantis, Biro possesses at any given time exactly seventy-two pens in blue and black ink.
For the 2009 lgbtfest.
TOPOGRAPHY OR, FIVE PLACES JOHN WANTS TO KISS RODNEY | McKay/Sheppard, R
He kneels at the wall and imagines that dip, soft and inviting, like hillside topography, like being touched by someone not as cold as he was.
Written for mcsmooch.
IT WAS HER HOUSE THAT KILLED NESSAROSE | Weir/Sheppard, Weir/McKay, Sheppard/McKay, R
Fantasy, denial, avoidance, repression, substitution. The sins of St. Elizabeth.
For the sga-flashfic Coping Mechanisms challenge. Warning for underage sexual activity.
THE SUBTERRANEANS | Gen, PG-13
In a hundred years, they will be honored. An evolution of ghosts.
For the sga_flashfic A Picture Is Worth a Thousand Words challenge.
THE WASTE LANDS | River Song/the Doctor, PG-13
They're so guilty, the two of them. Or, the adventures of the Lonely Gods.
Written for multiverse5000. Crossover with Doctor Who.
PEOPLE DON'T WIN WARS. WARS WIN WARS. | McKay/Sheppard, PG-13
The thing is, he's pretty sure he existed, once; pretty sure he loved, and occasionally hated, and was more than this eternal game of cat-and-mouse, this cruel either/or, architecture or anatomy.
Originally written in response to this entry on the 2009 mcshep_match Drabble Tree.
MARY, MELUSINE, MARY, MEDEA | McKay/Sheppard, PG-13
Who'll be next, he wonders. Who's the most likely to stray away from their group?
Written for the "Imprisonment" square on my cliche_bingo card.
BATTLE AND VICTORY | Teyla/Kate, R
It's the twelfth form of Quick Bird on Hot Sand all over again: bending her body to a shape impossible and strange, right over left hand, forcing her limbs to adhere to the pattern.
Written for the "First Times" square on my cliche_bingo card.
TO THE PIONEERS AND THEIR COVERED WAGONS | Gen, PG-13
The sea threw them up on the docks; the wind spat them back into their own faces. Or, compartmentalization as a way of living.
For the sga_flashfic In Memoriam challenge. Warnings for (canon) deaths, grief.
SUPERNATURAL
69 | Dean/Castiel, R
Love is the natural oblivion for us, not death: / the finality of utter consumption, as planets / are eaten by their suns, a tongue transposed by fire / into a thousand-part harmony of gravity and rock.
Fanpoetry.
SAY UNCLE | Dean/Castiel, R
It was a story about Castiel, first and foremost, though Dean and Sam had cameo appearances in it as well.
Written for oso_intricate as part of the deancastiel Secret Angels III fic exchange. Warnings for violence and brief graphic injury.
XENIZATION | Ruby/Lilith, R
Some come from the cities, bodies stuffed into moth-eaten coats, dragging suitcases tied together with string.
Noir AU mix-fic, written for smokeandsong as part of the Girls of Supernatural exchange. Warnings for mentions of violence and general demonic creep.
PSYCH
GREAT EXPECTATIONS | Shawn/Gus, Shawn/Lassiter, Shawn/Juliet, R
2006 is the year of motorcycle rides and non-sequitors; the wind always seems to be whipping past his face, and now Lindsay's hands pat down her dead lover's chest.
DOCTOR WHO
THE WASTE LANDS | River Song/the Doctor, PG-13
They're so guilty, the two of them. Or, the adventures of the Lonely Gods.
Written for multiverse5000. Crossover with Stargate: Atlantis.
WHAT WE'VE BECOME (THE MT. SAINT HELENS REMIX) | Martha/Donna, R
Sometimes Martha thinks the world is like that: composite. Layers on layers, and no foundation in sight.
Written for remixredux09, as a remix of thedeadparrot's What We've Become.
GEORGE ORWELL'S "A HANGING"
SUBTLETIES | Eurasian boy, PG-13
In Burma it is cheaper to burn than to bury.
ALBERT CAMUS' THE STRANGER
THE DOVES | Marie & identity, PG
There is a bird Marie sees, sometimes, in a window on her way to work.
TIN MAN
I COULD TELL YOU WHY (THE OCEAN IS NEAR THE SHORE) | Cain/Glitch, PG-13
She comes to you in the night, these years still.
LIFE ON MARS
ROCKS AND WATER | Joni and her mum, PG-13
Mexico is hot, unyielding: a day at the beach, and when the stars come out her shoulders are burned red & peeling.
AU. Written for the 2008 lifein1973 Ficathon.
MIDDLEMAN
IT IS BRIGHT WHERE YOU ARE | Pip/Noser, R
"You know, it's okay for you to hate me," Pip says.
STREET KINGS
END TITLES FOR A FILM | Tom/Grace, Tom/Disco, R
Got a complaint? you ask without looking. Yeah, he says. You got me killed, you asshole.
TORCHWOOD
CLOSING CREDITS | Tosh/Pearl, R
Are we such monsters that we need monsters for company?
Comic. For the Dogged by Muses: Summer Femslash Advent Calendar.
JEAN PAUL SARTRE'S "NO EXIT"
THE PSYCHOPOMP HYMNAL | Inez in Hell, PG-13
"Why did you leave the room?"
AU. Written for yuletide.
HEROES
WITH DIAMONDS AND PEARLS AT YOUR HEAD AND YOUR FEET | Adam/Hiro/Ando, R
As an old man, Ando lives on an island in the north Atlantic, in a clapboard house with blue shutters.
Written for themollyedge. My Heroes swan-song.
MONOLOGUE FOR A LUNATIC | Sylar, PG
Call me Gabriel, call me God.
WITH BLOOM TO SPARE | Claire/Maya, Claire/Peter, PG-13
"Me llamo Claire Bennet," she tells the mirror. Her lips form rose-tinged shapes: strange, like talking with a stone in her mouth. "Estoy de Odessa, en Texas. Me encanta a mis amigos."
Vaguely AU, post-S2.
1 BR / 1 BA | Claire/Elle, R
"You know, you could at least try to escape," Elle says one day.
KINDNESS AS A CARD GAME | Adam/Yaeko, Adam/Hiro, R
Face curved like a blossom: moon-faced, tinged pink, he knows these curves. His mouth knows the shape of her; his mouth recognizes her in dreams.
THE ROAD TO THEBES | Adam/Hiro, Adam/Yaeko, PG-13
Once upon our time, there is a man named Adam Monroe who can regrow all his vital organs except the heart.
STARS SHINE BRIGHTEST | Part I, Part II, Part III | Molly, Mohinder/Sylar, PG
Everyone who meets me wants me to Find someone. The world is really big. It's easy for someone to get lost.
WIP.
FRACTURED | Peter/Niki, Peter/Claude, R
Niki remembers a time when Peter told her stories.
5YG.
STARGATE: ATLANTIS
I AM THE LETTER YOU TOOK TO WAR | Sheppard/Nancy, Sheppard/McKay, R
Within this story, then, there are ten thousand different seductions. One of them goes like this.
UNTITLED FICLET | Rodney & a piano, PG
Picture this: Rodney McKay, playing the first few bars of Nina Simone's "Black Is the Color of My True Love's Hair".
THE KNOWN WORLD | McKay/Sheppard, R
There's a joke going around Atlantis.
Math!fic.
LUNG | Biro, McKay/Sheppard, PG-13
On Atlantis, Biro possesses at any given time exactly seventy-two pens in blue and black ink.
For the 2009 lgbtfest.
TOPOGRAPHY OR, FIVE PLACES JOHN WANTS TO KISS RODNEY | McKay/Sheppard, R
He kneels at the wall and imagines that dip, soft and inviting, like hillside topography, like being touched by someone not as cold as he was.
Written for mcsmooch.
IT WAS HER HOUSE THAT KILLED NESSAROSE | Weir/Sheppard, Weir/McKay, Sheppard/McKay, R
Fantasy, denial, avoidance, repression, substitution. The sins of St. Elizabeth.
For the sga-flashfic Coping Mechanisms challenge. Warning for underage sexual activity.
THE SUBTERRANEANS | Gen, PG-13
In a hundred years, they will be honored. An evolution of ghosts.
For the sga_flashfic A Picture Is Worth a Thousand Words challenge.
THE WASTE LANDS | River Song/the Doctor, PG-13
They're so guilty, the two of them. Or, the adventures of the Lonely Gods.
Written for multiverse5000. Crossover with Doctor Who.
PEOPLE DON'T WIN WARS. WARS WIN WARS. | McKay/Sheppard, PG-13
The thing is, he's pretty sure he existed, once; pretty sure he loved, and occasionally hated, and was more than this eternal game of cat-and-mouse, this cruel either/or, architecture or anatomy.
Originally written in response to this entry on the 2009 mcshep_match Drabble Tree.
MARY, MELUSINE, MARY, MEDEA | McKay/Sheppard, PG-13
Who'll be next, he wonders. Who's the most likely to stray away from their group?
Written for the "Imprisonment" square on my cliche_bingo card.
BATTLE AND VICTORY | Teyla/Kate, R
It's the twelfth form of Quick Bird on Hot Sand all over again: bending her body to a shape impossible and strange, right over left hand, forcing her limbs to adhere to the pattern.
Written for the "First Times" square on my cliche_bingo card.
TO THE PIONEERS AND THEIR COVERED WAGONS | Gen, PG-13
The sea threw them up on the docks; the wind spat them back into their own faces. Or, compartmentalization as a way of living.
For the sga_flashfic In Memoriam challenge. Warnings for (canon) deaths, grief.
SUPERNATURAL
69 | Dean/Castiel, R
Love is the natural oblivion for us, not death: / the finality of utter consumption, as planets / are eaten by their suns, a tongue transposed by fire / into a thousand-part harmony of gravity and rock.
Fanpoetry.
SAY UNCLE | Dean/Castiel, R
It was a story about Castiel, first and foremost, though Dean and Sam had cameo appearances in it as well.
Written for oso_intricate as part of the deancastiel Secret Angels III fic exchange. Warnings for violence and brief graphic injury.
XENIZATION | Ruby/Lilith, R
Some come from the cities, bodies stuffed into moth-eaten coats, dragging suitcases tied together with string.
Noir AU mix-fic, written for smokeandsong as part of the Girls of Supernatural exchange. Warnings for mentions of violence and general demonic creep.
PSYCH
GREAT EXPECTATIONS | Shawn/Gus, Shawn/Lassiter, Shawn/Juliet, R
2006 is the year of motorcycle rides and non-sequitors; the wind always seems to be whipping past his face, and now Lindsay's hands pat down her dead lover's chest.
DOCTOR WHO
THE WASTE LANDS | River Song/the Doctor, PG-13
They're so guilty, the two of them. Or, the adventures of the Lonely Gods.
Written for multiverse5000. Crossover with Stargate: Atlantis.
WHAT WE'VE BECOME (THE MT. SAINT HELENS REMIX) | Martha/Donna, R
Sometimes Martha thinks the world is like that: composite. Layers on layers, and no foundation in sight.
Written for remixredux09, as a remix of thedeadparrot's What We've Become.
GEORGE ORWELL'S "A HANGING"
SUBTLETIES | Eurasian boy, PG-13
In Burma it is cheaper to burn than to bury.
ALBERT CAMUS' THE STRANGER
THE DOVES | Marie & identity, PG
There is a bird Marie sees, sometimes, in a window on her way to work.
TIN MAN
I COULD TELL YOU WHY (THE OCEAN IS NEAR THE SHORE) | Cain/Glitch, PG-13
She comes to you in the night, these years still.
LIFE ON MARS
ROCKS AND WATER | Joni and her mum, PG-13
Mexico is hot, unyielding: a day at the beach, and when the stars come out her shoulders are burned red & peeling.
AU. Written for the 2008 lifein1973 Ficathon.
MIDDLEMAN
IT IS BRIGHT WHERE YOU ARE | Pip/Noser, R
"You know, it's okay for you to hate me," Pip says.
STREET KINGS
END TITLES FOR A FILM | Tom/Grace, Tom/Disco, R
Got a complaint? you ask without looking. Yeah, he says. You got me killed, you asshole.
TORCHWOOD
CLOSING CREDITS | Tosh/Pearl, R
Are we such monsters that we need monsters for company?
Comic. For the Dogged by Muses: Summer Femslash Advent Calendar.
JEAN PAUL SARTRE'S "NO EXIT"
THE PSYCHOPOMP HYMNAL | Inez in Hell, PG-13
"Why did you leave the room?"
AU. Written for yuletide.