I taped David Lynch's Dune and rewatched it last night for the first time in at least 20 years. I'd forgotten about what an amazing cast it has---and how gloriously CHEESY it is. Seriously, the voiceovers? Fraught with melodrama. DeLaurentis...I didn't notice it back in the day, when my attention was primarily focused on Sting (wildly overacting) in that splendid leather banana hammock, but the sets are fabulously Deco-inspired (not unlike Flash Gordon, whick I adore). However, I've also read and reread National Lampoon's Doon, which satirizes it all to a fare-thee-well, and I keep expecting someone to proclaim that Paul Atrades is the Kumquat Haagen-Daaz.
One of the digital channels runs a block of Dragnet and Adam-12 weekdays, and I've been watching avidly. A while back,
karaokegal asked me if I think it was as slashy as she remembers...yes and no. I don't slash Reed and Malloy. I just don't see it. BUT. In my headcanon, Pete has something going on with Sgt. Mack MacDonald on the DL. The way I see it, Pete Malloy is a cocksman who will cheerfully go either way. He takes pride in his prowess with the ladies, but he also relishes intimate cameraderie with other men. Mack is married with kids in show canon, but IMO, he finds a guilty pleasure in surrendeering to Malloy---who tops the hell out of him. Locker room rendezvous, anyone?
I think Reed knows about Malloy's bisexuality, but doesn't suspect about Mack for a long time, because the idea is so foreign to him. At this point, I see Reed as smugly het. The longer he's on the job, the more strained his relationship with Jean becomes, which is not uncommon in his profession. When he becomes the senior man on the street, I think he's liable to cross the line with a willing partner. Since the series is set in the late 60s, another ten years and there will definitely be more women in the field. And you just know that those boyish good looks are going to mature into silver foxiness!
More later.
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