[Ladies and gentlemen of Johto, we interrupt your regularly scheduled programming this evening for a Very Special Radio Broadcast™, coming to you direct from Goldenrod Radio Tower...and conveniently lacking in all those pesky little bits of red tape like authorization and advance permission that just get in the way of the showAs such, the usual
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The tango isn't Yagyuu's favorite dance, but it's the one that Atobe would prefer, and in some ways, it was the right one for this situation-not a gentleman's dance, with bows and changes, but something more energetic, more charged. It's equally Atobe's touch that the room is littered with a veritable blizzard of red rose petals, courtesy of the flower shop in Violet City. But it wasn't Atobe moving his favorite partner across the floor with precision and control a minute ago, and it's not Atobe who's making no move to let that partner up now.
It's different like this, safe beneath a wig and an ego the size of a mountain, when he can shift back and forth as much as he likes. Atobe can have whatever thoughts he chooses about the girl in his arms, and so long as they're his, then Yagyuu never has to wonder if he shares them.]
Have I left you breathless already?
[Atobe's arrogance. But whose question?]
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So it takes him a moment to answer, searching for the right response and the right voice to deliver it in. At last, feminine but strong, unfaltering: ]
Oh, honey. You're gonna have to try a little harder than that if you're looking to leave me breathless.
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An encore already?
[As he shifts, raising his partner slightly before dipping him back even lower than before, even more off-balance. This is the part he-one of him, at least-loves the most: the sheer control over every aspect of their situation.]
How selfish of the lady.
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Despite his fence-straddling, he manages to keep his voice and expression in-character, and he swears to himself that he'll go all-in after this. ]
It's a lady's prerogative to be selfish with a gentleman, and a gentleman's pleasure to indulge her.
[ His smile is quick and secretive, and though the amusement is his own, the curve of his lips is purely a woman's. ]
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After another moment, he pulls them both up with ease, returning his partner to his-her?-feet as he instinctively draws himself up, seeking those extra few centimeters of height over her-him?-her. And while Yagyuu remembers the echoes of a past conversation-you'll enjoy what I give you; gentleman's prerogative-Atobe has other things to focus on.]
Oh~? And do you think I'll find it a pleasure, indulging you?
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She allows him to right her, that smile growing ever more mischievous as she steps nearer to her partner. ]
You certainly found it a pleasure the first time. Why should the second be any less enjoyable?
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The second time, I'll have something to compare it to. Which means you'll have to outdo yourself-if you can.
[He doesn't back away, but tilts his head instead, meeting the challenge while keeping those precious few centimeters of space between them.]
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Oh~? I didn't realize the burden of impressiveness was on me.
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[One hand comes up, drifting to rest against the curve of her cheek, but this isn't designed to be gentle or fond, it's a challenge; the arrogance is palpable, the superiority is flagrant, and he acts like it's his god-given right to make this contact, to touch her and move her as he so chooses.]
Let's see if you can outdo your own selfishness. And make me enjoy it.
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I don't need to make you enjoy it. By the time we're done here, you'll be glad I'm selfish, honey.
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Then you'd better get started.
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When he lifts his lips from her hand to speak, she twists her wrist deftly to catch his hand, and her other arm drops from his shoulder to wrap around his waist. She takes the first step of the dance in time with the music, and she's unmistakably leading.
Go on, then. Take it back. ]
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She is.
And perhaps it's his first true slip of the night, the predatory look that darkens in his eyes, the sudden wedge that drives between the truth and the facade as Yagyuu's instincts flare beneath Atobe's mask.
Oh, no, she's not.
It's a matter of steps before a chance arises, and he's good enough at this to take full advantage of the opportunity; one carefully adjusted step gives him the leverage to manipulate her into a firm, almost rough turn, one with which she'll be forced to follow through or risk breaking the rhythm avoiding it.]
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It isn't difficult, though it is taxing. Niou is the dancer, but it's a much easier identity to own as the girl than as himself. She isn't self-conscious, she isn't uncomfortable in her own skin - or is it that he isn't uncomfortable in hers? Whatever the case, she's sure she's keeping Atobe on his toes. ]
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He's Atobe, or is supposed to be, and so he does remember to accentuate his steps with some of his persona's flair; the movements are wider, more grandiose, more sweeping and expansive in contrast to Yagyuu's more favored style of sleek precision.
But he'd vowed to leave her breathless, and he makes an excellent effort toward it, taking her through more spins, more dips, more perfectly controlled falls that beg the indulgence of complete trust in his abilities. And it is different, somehow, the way the facades color the familiar movements-that somehow it's Niou but not Niou he's dancing with, and he isn't quite himself either, and the experience is all the more satisfying for it.
He barely even realizes he's humming along with the music until he feels the vibration when he parts his lips to breathe, and so the next time she draws close, he spins her around halfway and slides an arm around her waist, bringing her shoulders back to rest lightly against his chest as he ducks his head toward her ear so she can hear it, too.]
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And there's no hesitation, no uncertainty, no question of what does this mean or what are we doing or should we stop when she finds herself leaning into him, his satin-smooth voice in her ear and against her back. She lets the chills race down her spine and rolls her head back onto his shoulder, exposing her throat and collarbone, and she revels in his proximity.
She's aware, faintly, as though on the inner edges of her consciousness where Niou lies, that she's letting him do the dancing, that she's all but abandoned her efforts to match him. And she thinks (and Niou thinks) that it's hardly the worst thing - because Atobe will be nearly as gratified if she allows him to reduce her to a breathless, shivering, heartracing doll in his arms. And she won't be too displeased, herself. ]
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