So in the last week or two, there were a fair number of posts ’round the blogosphere that could be pretty much boiled down to “I am bloody well sick of steampunk” and “Steampunk is awesome, don’t be a hater.” (I am not linking to these because some of the parties have since recanted, extended olive branches, etc, and while I am happy to beat a dead
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The past is viewed with rose-colored glasses, and adventure is always more appealing without the everyday toil and worrying about dying of hunger, I suppose. Romanticism is always heavy in fiction, perhaps especially so for steampunk.
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The basic setting is a post blow-up world of carnivorous mobile cities which eat each other in the wonderfully ironically named practice of "municipal Darwinism". We the reader start at the top, but very quickly descend into the grim underbelly of sewage and slaves, crime and corruption that powers any apparent utopia. Later in the series there's also a rather nasty and protracted war where young lives are squandered and the parallels with WWI and other horrendous conflicts are never far from the surface.
It's a fantastic series and I can't recommend it enough, age range is probably 10+ for the first book and maybe 12+ for the tougher parts of the later ones (it really doesn't pull many punches)
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I have actually heard people complain about lack of historical accuracy in Steampunk. You know, when you show me the history of people with mechanical arms and goggles carrying brass rayguns to fight off zombies ...
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It's one of the reasons I like actual fantasy: yes, yes, the actual historical world was a squalid and horrible place. This one isn't. Because...magic and stuff.
And yeah. I've had three root canals. Not something I want to deal with before...well, this decade, actually.
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It's not like the issue of writing escapist fiction set in a time when many people are starving to death, homeless, are being oppressed by their bosses and beaten by their husbands, etc, is limited to steampunk, or even to historical fiction. Those times, like fiction set in them, have existed from the dawn of time, and they continue in the present day and include present-day-set fiction.
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I read this argument for more squalor on the airships and went “Oh, hmm, good point, there really isn’t any Dickensian steampunk dealing with the horrors of early industrialization and squalid class warfare, somebody should write that!”
It's funny, a lot of people keep saying that and completely ignoring that someone did write that -- Cherie Priest's Boneshaker. (See also Scott Westerfeld's rant on the subject.) (There's also some interesting discussion on steampunk here and here and here and here.
All of which goes hand-in-hand with your conclusion.
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