Old news: lj is dead. Everyone is crazy busy, or they have other reasons not to be here. No one has time to read those huge meta posts we used to write once upon a time. But maybe we can all find ten minutes to do this:
FREE-FOR-ALL META COMMENT-A-THON!
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In S1, Caroline literally does not know what has happened to her, and is thereby prevented from accessing the support theoretically offered to 'proper' victims. In S2, vampire 'consciousness-raising' gives her access to the reality of her abuse: she overpowers Damon ('I'm angrier!'); he tries and fails to silence (stake!) her; Stefan starts to identify with her (as opposed to using her as Damon-bait). It's interesting that this knowledge coincides with a period of alienation from her friends and boyfriend. It's also interesting that Damon, through his relationship with her mother, still has access to her house - and she is still visibly afraid of him, he is still keen to control ( ... )
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Her whole attitude to Stefan-Elena-Damon and the sire bond is easy to read as an extended projection of her own retrospective feelings about that part of her human life. But just as Elena's transition ( ... )
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I think a lot of shows portray abuse as an arc, and create an expectation of social and personal resolution/salvation which is rarely met in life (to, ime, the detriment of the self-esteem of victims). I prefer to see a balance of growth and ongoing issues; I prefer to see the banality and multiplicity of this particular evil, and how everyone gets to choose whether to shelter it, or not?
Yes, exactly. Aspirational stories - where everyone believes the victim, where she gets to get revenge/kick her abuser out of her life and heal (however we might define that) - have a very important place. But I firmly believe those can't be the only stories. Because then we're just setting up yet another set of "acceptable victim" standards. Care's story of "how do young women experience this type of abuse" is also extremely important.
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