Now and Forever...Itsumademo... - Chapter 17D

[unare_haineko]

Title: Now and Forever…いつまでも…

Author: Mayonaka no Taiyou/Unare Haineko

Pairing: [Juntoshi] Matsumoto Jun x Ohno Satoshi

Rating:  R-ish

Summary: This story follows Ayumu, a more or less normal child born in 2012, three years after the ending of ‘Kodoku kara Umareta Ai’ (which you can read here).  His parents, Jun and Ohno, are everything but

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Commentary & Analysis CH 17, Jun Section: The Contract – PAGES 18-30 ONLY, Part 5

[mmestrange]

(29)What will bring to light that the wedge between them is Iago and his prophecy?

(30) How will Jun get in touch with the rest of them? Newspaper advertisements? Hand delivered notes?

(31) Who is responsible for the prophecy?

(32) What will the rest of the Arashi men think of it?

(33) What will Miyazono and Sawaguchi uncover when they dig subtly into Iago’s affairs? What will Miyazono do when he sees for himself the state of Iago!Claudius!Kitagawa’s Denmark?

(34) What of Aiba? What’s his role when Sho casts him aside after the fig quarrel? Will information about Sho and Iris surface then?

(35) What is Nino’s current stance towards Jun now that he knows Jun didn’t screw him over?

(36) What is Nino’s current stance towards Satoshi now that he has some inkling that NaSA!Ohno was the bugger that sparked off the whole dissolution of Arashi problem as well as my truffle’s mental depression?

(37)What will start the balling to get Ohno off his Min-worshipping penis and Sho’s vexing infatuation for ‘lager’ and fridges? Arashi can’t move against Iago if 2 out of 5 of them haven’t brain cells to rub together.

I shall leave you with these parting questions. And thus ends Chapter 17’s commentary and analysis.

[Interestingly, I've noticed that 3 out of 5 readers think that NaSA!Ohno is sweet with his coral roses of 'passionate desire' and his trilogy ring. Clearly people who only see the faces and not the vases. 1 out of 5 readers suspect something is up with Ohno's sudden grand gesture but can't put their finger on it. This reader knows the two faces can't be it and tries to see vase but still can't. The remaining 1 out of 5 readers just practises 'keyboard smashing'. This remaining reader sees neither the vase nor the faces; he/she just sees swiggly lines and dismisses the lines as rubbish.

This demographics is interesting. I've taken myself out of course. I'm an outlier. heh.]

Thus concludes the commentary for CH 17. Other than Haineko, I hope that those of you who do read it (if any) will find things to mull over and spend more time thinking about the central themes and the symbolism inherent in the plot.