- "Denn sie betrügt man nicht" - Elizabeth George
- "Gott schütze dieses Haus" - Elizabeth George
- "Auf Ehre und Gewissen" - Elizabeth George
- "The Fellowship of the Ring" - J.R.R. Tolkien
- "The Two Towers" - J.R.R. Tolkien
- "Berts Megakatastrophen" - S. Olsson & A. Jacobsson
- "Berts jungfräuliche Katastrophen" - S. Olsson & A. Jacobsson
- "Inspektor Jury schläft außer Haus" - Martha Grimes
- "Inspektor Jury spielt Domino" - Martha Grimes
- "Blinder Eifer" - Martha Grimes
- "Fremde Federn" - Martha Grimes
- "The Battles of Hastings II" - Agatha Christie
- "The Murder of Roger Ackroyd" - Agatha Christie
- "Murder on the Orient Express" - Agatha Christie
- "And Then There Were None" - Agatha Christie
- "Sad Cypress" - Agatha Christie
- "Five Little Pigs" - Agatha Christie
- "The Hollow" - Agatha Christie
- "Die Kleptomanin" - Agatha Christie
- "Auch Pünktlichkeit kann töten" - Agatha Christie
- "Auf doppelter Spur" - Agatha Christie
- "Curtain" - Agatha Christie
- "Hercule Poirot Short Stories" - Agatha Christie
- "Murder in Mesopotamia" - Agatha Christie
- "Death on the Nile" - Agatha Christie
- "Evil Under The Sun" - Agatha Christie
- "Wiedersehen mit Mrs. Oliver" - Agatha Christie
- "Sleeping Murder" - Agatha Christie
- "16 Uhr 50 ab Paddington" - Agatha Christie
- "Das Geheimnis der Goldmine" - Agatha Christie
- "Mord im Pfarrhaus" - Agatha Christie
- "Die Tote in der Bibliothek" - Agatha Christie
- "Der Dienstagabend-Club" - Agatha Christie
- "Miss Marples Fälle" - Agatha Christie
- "Zeugin der Anklage" - Agatha Christie
- "The Mouse Trap" - Agatha Christie
- "A Caribbean Mystery" - Agatha Christie
- "Hercule Poirot's Christmas" - Agatha Christie
- "A Murder is Announced" - Agatha Christie
- "The Moving Finger" - Agatha Christie
- "Third Girl" - Agatha Christie
- "Taken at the Flood" - Agatha Christie
- "Cards on the Table" - Agatha Christie
- "The Big Four" - Agatha Christie
- "One, Two, Buckle My Shoe" - Agatha Christie
- "Nemesis" - Agatha Christie
- "The Mirror Crack'd From Side To Side" - Agatha Christie
- "At Bertram's Hotel" - Agatha Christie
- "Mrs. McGinty's Dead" - Agatha Christie
- "After the Funeral" - Agatha Christie
- "Elephants Can Remember"- Agatha Christie
- "Hallowe'en Party" - Agatha Christie
- "Appointment With Death" - Agatha Christie
- "Death in the Clouds" - Agatha Christie
- "Cat Among the Pigeons" - Agatha Christie
- "They Do It With Mirrors" - Agatha Christie
- "The Giver" - Lois Lowry
- "The Colour of Magic" - Terry Pratchett
- "The Light Fantastic" - Terry Pratchett
- "Good Omens" - Terry Pratchett & Neil Gaiman
- "Der eingebildete Kranke" - Molière
- "Le Petit Prince" - Antoine de Saint-Exupéry
- "Robinson Crusoe" - Daniel Defoe
- "Kidnapped" - Robert Louis Stevenson
- "The True Story of Horatio Hornblower" - C. Northcote Parkinson
- "Funny Fanny" - Isolde Heyne
- "Nelson in the Caribbean" - Joseph F. Callo
- "The Mystery of the Blue Train" - Agatha Christie
- "Nelson: Britannia's God of War" - Andrew Lambert
- "Warum Männer nicht zuhören und Frauen schlecht einparken" - Allan & Barbara Pease
- "Lucky Luke: Westwärts" - Morris
Andrew Lambert's biography of Nelson, which I bought in 2006 at the Historical Dockyard in Portsmouth, is, in my opinion, one of the best or even the best Nelson biography. It's informative, well-written, well-structured, and sound in its arguments. Especially the
scene of Nelson's death couldn't have been portrayed any better. If you're looking for a good Nelson biography that tells you about the man as well as the era he lived in, this book is the one you should buy. And from what I remember, it wasn't even that expensive. I think I paid £8 for it, which makes it an awesome bargain compared to "Nelson's Navy: Ships, Men and Organization, 1793-1815" by Brian Lavery.
I bought "Warum Männer nicht zuhören und Frauen schlecht einparken" ("Why men don't listen and women are bad at parallel parking") ages ago because it was at the top of the German bestseller list for months on end. Now that I've read it, I don't think the bestseller status was deserved, but I understand why it was, just like I understand why loads of people buy yellow press. And I'm certain that the same percentage of people who read tabloids and believe every single word of it also believed every word of this book. It's entertaining in the way it portrays stereotypical male and female behaviour in little scenes, but it's not empiric, its scientific value is low, and you shouldn't take it seriously. I do appreciate the fact that the authors try to make it clear that a lot of things (such as the sexual orientation of people) are decided by genes and hormones and not a matter of upbringing, education or social life, but the research results that the authors used to back up their theories aren't properly credited, and they don't always make sense. For instance, considering the way the book argues, all transgender people in this world are biologically male, which is simply not true. Also, it gets repetitive soon because it all focuses on a handful of points. In my opinion, it's a good book for women with low self-esteem because every female bad habit is excused whereas the same doesn't happen with male bad habits. Men are portrayed as stupid and useless throughout the book and it's always them who have to change to make a relationship work, never women. Don't use it to improve your relationship. It won't work anyway because basically the book tells you that men and women are incompatible to the largest extent.
I'm currently reading "44 Years with the Same Bird - A Liverpudlian Love Affair" by Brian Reade, and a book that starts like this must be awesome:
Bill Shankly's bare manhood stood three feet away from me. OK, stood is an exaggeration. We were getting on well, but not that well.