It's Friday. I so rarely get the weekend itch, but today I have it. I stayed up all of half an hour later than my usual last night, and I'm paying for it today. I almost called in sick because that's how alluring my bed was. Now that I'm at work, I'm going through my tissues like mad because something's in the air. I should probably go get some
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That just leaves Green Lantern. Way to drop the ball, WB. I held out hope that I would be wrong about that through at least the first two trailers. No longer.
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No, this is a generalized frustration that the characters and stories that I actually loved will never get made into good movies, and aren't even going to feature in comics any more. Kyle is Green Latern--he's a schmoe chosen at random in a world full of gods and he rises to the challenge. Wally is the Flash--he's a former sidekick smacked by real life and growing with bumps and bruises along the way. Except that the DC creative team is stuck in 1970, where Hal and Barry had no personalities beyond being unlucky with their only girlfriends, and that's always what we'll fall back to.
Oh, and in the battle of Marvel vs. DC, Marvel always wins. Because apparently DC characters are so iconic, no one on any creative team can fucking agree how to write them.
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They had a real chance to prove that the DC universe can be more than just the binary of Batman-Superman, and they totally blew it. Will we even get to a Flash movie? Or Wonder Woman? Why can't they get their act together?
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I think you, in what seems to be a fit of either cynicism or pissiness (hard to read over the internet) about my generalizations, have actually come closer than I have to nailing this down. I think you're exactly right. I generalized again about DC heroes being too perfect, but that's how they seem to one on the outside, whose interaction with them is mostly through the decidedly innocent and frequently shallow medium of TV. Whatever their actual characterization, DC characters are too iconic to adapt a lot of the time. You either do it like Donner did, or Nolan, or you give up.
It's kind of funny, then, that the most successful of the adapted works has been Smallville, for a given definition of successful. But the show was on for ten years, and it was definitely different, although they did make Clark Kent out to be some annoyingly perfect being a lot of the ( ... )
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